Easley Blackwood Jr.: Difference between revisions
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< | {{Wikipedia|Easley Blackwood Jr.}} | ||
'''Easley R. Blackwood Jr.''' (April 21, 1933 – January 22, 2023) was an American music professor, a concert pianist, a composer, and the author of books on music theory, including his research into the properties of microtonal tunings and traditional harmony. | |||
: | |||
: | The [[5-limit]] [[regular temperament|temperament]] tempering out the Pythagorean limma ([[256/243]]) was named [[Limmic temperaments#5-limit (blackwood)|blackwood]] in his honor. | ||
== Microtonal works == | |||
< | * ''Four Letter Scenes from Gulliver'', Op. 25 (1972) (in [[12edo]], [[15edo]], [[16edo]], and [[23edo]])<ref>[https://www.britannica.com/biography/Easley-Blackwood "Easley Blackwood" on Encyclopaedia Britannica]</ref></li> | ||
{{Wikipedia|Twelve Microtonal Etudes for Electronic Music Media}} | |||
< | * ''Twelve Microtonal Etudes for Electronic Music Media'', Op. 28 (1980) | ||
< | <ol type="I"> | ||
:<li>16 notes. Andantino (in [[16edo]])</li> | |||
:<li>18 notes. Allegro volando (in [[18edo]])</li> | |||
:<li>21 notes. Suite in four mvts. (in [[21edo]])</li> | |||
:<li>23 notes. Allegro moderato (in [[23edo]])</li> | |||
:<li>13 notes. Sostenuto (in [[13edo]])</li> | |||
:<li>15 notes. Lento (in [[15edo]])</li> | |||
:<li>17 notes. Con moto (in [[17edo]])</li> | |||
:<li>22 notes. Andante ma non troppo (in [[22edo]])</li> | |||
:<li>24 notes. Moderato (in [[24edo]])</li> | |||
:<li>14 notes. Allegramente (in [[14edo]])</li> | |||
:<li>20 notes. Comodo (in [[20edo]])</li> | |||
:<li>19 notes. Allegro moderato (in [[19edo]])</li> | |||
</ol> | |||
* ''Fanfare in 19-note Equal Tuning'', Op. 28a (1981) (in [[19edo]]) | |||
* ''Suite for Guitar in 15-note Equal Tuning'', Op. 33 (c. 1990) (in [[15edo]]) | |||
<ol type="I"> | |||
:<li>Prélude (Allegro)</li> | |||
:<li>Sarabande (Andante)</li> | |||
:<li>Gavotte (Tempo di gavotta)</li> | |||
:<li>Gigue (Vivo)</li> | |||
</ol> | |||
== Writings == | |||
* ''The Structure of Recognizable Diatonic Tunings'' (1985) | |||
* “Modes and Chord Progressions in Equal Tunings.” ''Perspectives of New Music'' 29, no. 2 (1991) | |||
== References == | |||
<references /> | |||
== External links == | |||
* [https://www.cedillerecords.org/albums/easley-blackwood-microtonal/ ''Easley Blackwood: Microtonal'' on Cedille Records] | |||
* [https://www.youtube.com/watch?v=HbuFPpiJL1o ''Easley Blackwood: Microtonal'' on YouTube] | |||
* [https://www.jstor.org/stable/j.ctt7ztvms ''The Structure of Recognizable Diatonic Tunings'' on JSTOR] | |||
* [https://www.xenharmonikon.org/2023/02/07/easley-blackwood-jr-1933-2023/ Xenharmonikon | ''Easley Blackwood Jr. 1933–2023''] by [[Stephen Weigel]] | |||
{{DEFAULTSORT:Blackwood Jr., Easley}} | |||
[[Category:People]] | |||
[[Category:Composers]] | |||
[[Category:Educators]] | |||
[[Category:Musicians]] | |||
[[Category:Theorists]] |
Latest revision as of 11:29, 20 March 2025
Easley R. Blackwood Jr. (April 21, 1933 – January 22, 2023) was an American music professor, a concert pianist, a composer, and the author of books on music theory, including his research into the properties of microtonal tunings and traditional harmony.
The 5-limit temperament tempering out the Pythagorean limma (256/243) was named blackwood in his honor.
Microtonal works
- Twelve Microtonal Etudes for Electronic Music Media, Op. 28 (1980)
- 16 notes. Andantino (in 16edo)
- 18 notes. Allegro volando (in 18edo)
- 21 notes. Suite in four mvts. (in 21edo)
- 23 notes. Allegro moderato (in 23edo)
- 13 notes. Sostenuto (in 13edo)
- 15 notes. Lento (in 15edo)
- 17 notes. Con moto (in 17edo)
- 22 notes. Andante ma non troppo (in 22edo)
- 24 notes. Moderato (in 24edo)
- 14 notes. Allegramente (in 14edo)
- 20 notes. Comodo (in 20edo)
- 19 notes. Allegro moderato (in 19edo)
- Fanfare in 19-note Equal Tuning, Op. 28a (1981) (in 19edo)
- Suite for Guitar in 15-note Equal Tuning, Op. 33 (c. 1990) (in 15edo)
- Prélude (Allegro)
- Sarabande (Andante)
- Gavotte (Tempo di gavotta)
- Gigue (Vivo)
Writings
- The Structure of Recognizable Diatonic Tunings (1985)
- “Modes and Chord Progressions in Equal Tunings.” Perspectives of New Music 29, no. 2 (1991)