1617/1600: Difference between revisions
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{{Infobox Interval | {{Infobox Interval | ||
| Name = antimisma | | Name = antimisma | ||
| Color name = 1ozzgg2, | | Color name = 1ozzgg2, lobizogu 2nd,<br>Lobizogu comma | ||
| Comma = yes | |||
| | |||
}} | }} | ||
The '''antimisma''', '''1617/1600''', is an [[11-limit]] [[small comma]. It is the amount by which [[11/10]] exceeds [[160/147]]. It is also the difference between the ptolemisma ([[100/99]]) and the septimal diesis ([[49/48]]), making it an anti-ptolemisma, or anti-misma. However, that is not the origin of the name. In fact, it is named after [[Wikipedia: Antimo Liberati|Antimo Liberati]], because his birth year of 1617 is the numerator of this comma. | The '''antimisma''', '''1617/1600''', is an [[11-limit]] [[small comma]]. It is the amount by which [[11/10]] exceeds [[160/147]]. It is also the difference between the ptolemisma ([[100/99]]) and the septimal diesis ([[49/48]]), making it an anti-ptolemisma, or anti-misma. However, that is not the origin of the name. In fact, it is named after [[Wikipedia: Antimo Liberati|Antimo Liberati]], because his birth year of 1617 is the numerator of this comma. | ||
A stack of two septimal tritones ([[7/5]]) and an undecimal superfourth ([[11/8]]) is an antimisma above a perfect eleventh ([[8/3]]). While this leads to an essentially tempered chord of 1/1-7/5-49/25-8/3, it's rather far-flung. | A stack of two septimal tritones ([[7/5]]) and an undecimal superfourth ([[11/8]]) is an antimisma above a perfect eleventh ([[8/3]]). While this leads to an essentially tempered chord of 1/1-7/5-49/25-8/3, it's rather far-flung. | ||
{{todo|review}} | {{todo|review}} | ||
[[Category:Commas named after composers]] | |||
Latest revision as of 01:58, 4 November 2024
| Interval information |
Lobizogu comma
The antimisma, 1617/1600, is an 11-limit small comma. It is the amount by which 11/10 exceeds 160/147. It is also the difference between the ptolemisma (100/99) and the septimal diesis (49/48), making it an anti-ptolemisma, or anti-misma. However, that is not the origin of the name. In fact, it is named after Antimo Liberati, because his birth year of 1617 is the numerator of this comma.
A stack of two septimal tritones (7/5) and an undecimal superfourth (11/8) is an antimisma above a perfect eleventh (8/3). While this leads to an essentially tempered chord of 1/1-7/5-49/25-8/3, it's rather far-flung.