108:135:160:192: Difference between revisions
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{{Infobox Chord}} | {{Infobox Chord}} | ||
'''108:135:160:192''' is a [[dominant seventh chord]] found on the dominant scale degree ( | '''108:135:160:192''' is a [[dominant seventh chord]] found on the dominant scale degree (V or {{Frac|3|2}}) of a diatonic scale with the second degree tuned a comma lower than in [[Zarlino]] ([[10/9]] instead of [[9/8]]), such as in left-handed [[nicetone]]. It combines a [[5/4]] major third with a [[16/9]] Pythagorean minor seventh, creating a [[64/45]] tritone between the two. | ||
Since it contains a [[40/27]] ''grave fifth'' instead of a [[3/2]] ''perfect fifth'', this chord has more dissonance than would be present in the closely-related Ptolemaic dominant seventh chord ([[36:45:54:64]]). | Since it contains a [[40/27]] ''grave fifth'' instead of a [[3/2]] ''perfect fifth'', this chord has more dissonance than would be present in the closely-related Ptolemaic dominant seventh chord ([[36:45:54:64]]). | ||
[[Category:Dominant seventh chords]] | [[Category:Dominant seventh chords]] |
Revision as of 18:46, 12 August 2024
Chord information |
108:135:160:192 is a dominant seventh chord found on the dominant scale degree (V or 3⁄2) of a diatonic scale with the second degree tuned a comma lower than in Zarlino (10/9 instead of 9/8), such as in left-handed nicetone. It combines a 5/4 major third with a 16/9 Pythagorean minor seventh, creating a 64/45 tritone between the two.
Since it contains a 40/27 grave fifth instead of a 3/2 perfect fifth, this chord has more dissonance than would be present in the closely-related Ptolemaic dominant seventh chord (36:45:54:64).