Chromium: Difference between revisions

From Xenharmonic Wiki
Jump to navigation Jump to search
"Dark"/"bright" generator are defined on scales, not temperaments; formatting and style cleanup
Eliora (talk | contribs)
Line 4: Line 4:


== Theory ==
== Theory ==
In the 17-limit, chromium has a comma basis {936/935, 1701/1700, 1716/1715, 2025/2023, 11016/11011}. The period of chromium is mapped to [[250/243]], and in this paradigm it is referred to as ''chromium quartertone''. In the 17-limit, the period is also represented by 35/34, which means that [[1701/1700]] is tempered out.
In the 17-limit, chromium has a comma basis {936/935, 1701/1700, 1716/1715, 2025/2023, 11016/11011}. The period of chromium is mapped to [[250/243]], and in this paradigm it is referred to as ''chromium quartertone''. In the 17-limit, the period is also represented by 35/34, which means that [[1701/1700]] is tempered out and also means that chromium temperament contains [[palingenetic chords]].


Chromium has mos scales of size 48, 72, and 120.  
Chromium has mos scales of size 48, 72, and 120.  

Revision as of 20:49, 10 June 2023

Chromium is a rank-2 temperament which has a period of 1/24th of the octave and a generator of 10/7 or 7/5. It is named after the 24th chemical element.

For technical data see Landscape microtemperaments #Chromium.

Theory

In the 17-limit, chromium has a comma basis {936/935, 1701/1700, 1716/1715, 2025/2023, 11016/11011}. The period of chromium is mapped to 250/243, and in this paradigm it is referred to as chromium quartertone. In the 17-limit, the period is also represented by 35/34, which means that 1701/1700 is tempered out and also means that chromium temperament contains palingenetic chords.

Chromium has mos scales of size 48, 72, and 120.

120-tone mos

The 120-tone mos of chromium is notable because it has 3rd, 5th, 7th, and 11th harmonics within reach of 5 generator steps or less. In addition in higher limits, it also has 17/13 within the reach of two generator steps.

The brightest mode has the pattern (LLsLs)×24, and in addition it is a very hard tuning, which means it sounds nothing like 120edo.

A tuning where it is worth exploring chromium if one seeks large divisibility is 480edo, which is a largely composite edo. In this instance, the L step of 120-tone scale becomes equal to one step of 80edo, and s step maps to one step of the 480edo itself. This is realized via the 480fgg val in the 17-limit.

250/243 as the porcupine comma

Chromium reaches 10/9 in just one generator step. As such, it reaches 100/81 in two, while simultaneously reaching 6/5 in two. Because every note is replicated 24 times around the octave, and 250/243 maps to the period, 6/5 occurs exactly one step of 24edo above two 10/9's.