Oneirotonic: Difference between revisions
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When working up from the tonic, the darker modes are radically different in character than the brighter modes. Because of the consonant 11/8 minor tritone and the 13/8 minor sixth, the flat tritone sounds more like a stable scale function. | When working up from the tonic, the darker modes are radically different in character than the brighter modes. Because of the consonant 11/8 minor tritone and the 13/8 minor sixth, the flat tritone sounds more like a stable scale function. | ||
The darker modes could be used to distort diatonic tropes that start from the tonic and work downwards, while | The darker modes could be used to distort diatonic tropes that start from the tonic and work downwards, while the brighter modes such as Dylathian and Celephaisian play on upwards diatonic tropes. | ||
== A-Team (13&18, 4:5:9:(11:13):21) interpretation == | == A-Team (13&18, 4:5:9:(11:13):21) interpretation == | ||