User talk:Rperlner: Difference between revisions

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::For a more thorough example of my treatment on the other modes, see [[User:Aura/Aura's Diatonic Scales|my page on the matter]]. I'll admit that one of the sample songs needs replacing, but still. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 04:09, 6 December 2020 (UTC)

I hadn’t noticed that these passages were in Locrian, but now that you mention it, I especially like the choice in your 12 EDO section as a way to set up the 2EDO passage. I do have a question regarding your general statements about using Locrian: I entirely agree that an incomplete tonic chord (lacking the 5th) is a good way to establish a tonal center. But you also say that several other chords need to be incomplete (lacking a 3rd). I’ve generally found complete triads to be entirely usable (except for the tonic) in Locrian. Why do you see the need for incomplete chords on other scale degrees? [[User:Rperlner|Rperlner]] ([[User talk:Rperlner|talk]]) 18:38, 6 December 2020 (UTC)

:::I hadn’t noticed that these passages were in Locrian, but now that you mention it, I especially like the choice in your 12 EDO section as a way to set up the 2EDO passage. I do have a question regarding your general statements about using Locrian: I entirely agree that an incomplete tonic chord (lacking the 5th) is a good way to establish a tonal center. But you also say that several other chords need to be incomplete (lacking a 3rd). I’ve generally found complete triads to be entirely usable (except for the tonic) in Locrian. Why do you see the need for incomplete chords on other scale degrees? [[User:Rperlner|Rperlner]] ([[User talk:Rperlner|talk]]) 18:38, 6 December 2020 (UTC)

Revision as of 18:38, 6 December 2020 view source Rperlner (talk \| contribs) autopatrolled, emailconfirmed 139 edits No edit summary Tags: Mobile edit Mobile web edit ← Older edit		Revision as of 18:39, 6 December 2020 view source Rperlner (talk \| contribs) autopatrolled, emailconfirmed 139 edits →Diatonic Modes Tags: Mobile edit Mobile web edit Newer edit →
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	::For a more thorough example of my treatment on the other modes, see [[User:Aura/Aura's Diatonic Scales\|my page on the matter]]. I'll admit that one of the sample songs needs replacing, but still. --[[User:Aura\|Aura]] ([[User talk:Aura\|talk]]) 04:09, 6 December 2020 (UTC)		::For a more thorough example of my treatment on the other modes, see [[User:Aura/Aura's Diatonic Scales\|my page on the matter]]. I'll admit that one of the sample songs needs replacing, but still. --[[User:Aura\|Aura]] ([[User talk:Aura\|talk]]) 04:09, 6 December 2020 (UTC)

	I hadn’t noticed that these passages were in Locrian, but now that you mention it, I especially like the choice in your 12 EDO section as a way to set up the 2EDO passage. I do have a question regarding your general statements about using Locrian: I entirely agree that an incomplete tonic chord (lacking the 5th) is a good way to establish a tonal center. But you also say that several other chords need to be incomplete (lacking a 3rd). I’ve generally found complete triads to be entirely usable (except for the tonic) in Locrian. Why do you see the need for incomplete chords on other scale degrees? [[User:Rperlner\|Rperlner]] ([[User talk:Rperlner\|talk]]) 18:38, 6 December 2020 (UTC)		:::I hadn’t noticed that these passages were in Locrian, but now that you mention it, I especially like the choice in your 12 EDO section as a way to set up the 2EDO passage. I do have a question regarding your general statements about using Locrian: I entirely agree that an incomplete tonic chord (lacking the 5th) is a good way to establish a tonal center. But you also say that several other chords need to be incomplete (lacking a 3rd). I’ve generally found complete triads to be entirely usable (except for the tonic) in Locrian. Why do you see the need for incomplete chords on other scale degrees? [[User:Rperlner\|Rperlner]] ([[User talk:Rperlner\|talk]]) 18:38, 6 December 2020 (UTC)