56/45: Difference between revisions
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| Name = septimal narrow major third, <br> marvelous major third | | Name = septimal narrow major third, <br> marvelous major third | ||
| Color name = | | Color name = | ||
| FJS name = d4<sup>7</sup><sub>5</sub> | |||
| Sound = jid_56_45_pluck_adu_dr220.mp3 | | Sound = jid_56_45_pluck_adu_dr220.mp3 | ||
}} | }} | ||
'''56/45''', the '''septimal narrow major third''', or '''marvelous major third''', is the interval between various 9-limit consonances- 5/4 and 14/9, 9/7 and 8/5, 9/8 and 7/5, and 10/7 and 16/9- with it also being [[6/5]] away from the marvelous fifth, [[112/75]]. | '''56/45''', the '''septimal narrow major third''', or '''marvelous major third''', is the interval between various 9-limit consonances- 5/4 and 14/9, 9/7 and 8/5, 9/8 and 7/5, and 10/7 and 16/9- with it also being [[6/5]] away from the marvelous fifth, [[112/75]]. [[Marvel]] tempering makes all of these intervals into major thirds like any other, and turns chords like 1-5/4-8/5 or 1-5/4-14/9 into [[Dyadic_chord|essentially tempered dyadic chords]]. It is a third of a cent flatter than the 6\19 major third of [[19edo]], however, it is functionally a type of diminished fourth. According to [[Ozan Yarman]], the perde segah of Turkish [[maqam music]] should range from 56/45. | ||
== See also == | == See also == | ||
* [[45/28]] | * [[45/28]] – its octave complement | ||
* [[135/112]] | * [[135/112]] – its fifth complement | ||
* [[Gallery of just intervals]] | * [[Gallery of just intervals]] | ||