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:::The trick to overtone elimination is careful use of Pulse Width Modulation. Get a synth with a square or tri/saw that lets you alter the width/angle of the waveforms and carefully adjust it until the right ones are misssing. On ableton live's Analog a no 5's pulse wave is conveniently at precisely 35%, for example. That or if the synth has a notch filter, set key tracking to 100% and the Q right up and put it directly over the harmonic you want to eliminate. This won't get rid of all it's multiples as well in the same way, but it's a good start, especially if it has 2 or 3 filters you can use in tandem. [[User:Yourmusic_Productions|Yourmusic Productions]] 19:30, 28 September 2020 (UTC)
:::The trick to overtone elimination is careful use of Pulse Width Modulation. Get a synth with a square or tri/saw that lets you alter the width/angle of the waveforms and carefully adjust it until the right ones are misssing. On ableton live's Analog a no 5's pulse wave is conveniently at precisely 35%, for example. That or if the synth has a notch filter, set key tracking to 100% and the Q right up and put it directly over the harmonic you want to eliminate. This won't get rid of all it's multiples as well in the same way, but it's a good start, especially if it has 2 or 3 filters you can use in tandem. [[User:Yourmusic_Productions|Yourmusic Productions]] 19:30, 28 September 2020 (UTC)
:::  You may not have big ideas, but I already seem to have a few...  Feel free to check out my own personal pages for all that stuff!  If I need to improve on something, let me know!  It may be true that you'll get some measure of resistance out of me at times, but even then, I seem to have a way of warming up to good ideas eventually... --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 20:02, 28 September 2020 (UTC)