10:12:15:18: Difference between revisions
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{{Infobox Chord|10:12:15:18|ColorName=gu-7 or g7}} | {{Infobox Chord|10:12:15:18|ColorName=gu-7 or g7}} | ||
'''10:12:15:18''' is a [[minor seventh chord]] found on the iii ( | '''10:12:15:18''', the ''just'', ''classical'', or ''ptolemaic minor seventh chord'', is a [[minor seventh chord]]. It is an [[anomalous saturated suspension]] in the [[9-odd-limit]]. It is found on the iii (5/4) and vi (5/3) of Ptolemy's intense diatonic scale ([[Zarlino]]), perhaps the most common [[5-limit]] diatonic. | ||
{{Todo|inline=1|expand|add sound example}} | {{Todo|inline=1|expand|add sound example}} | ||
== See also == | == See also == | ||
Chords below are 5-limit unless noted. | Chords below are 5-limit unless noted. | ||
* Its [[ | * Its [[chord homonym|homonym]] [[12:15:18:20]] (1–5/4–3/2–5/3), a [[major sixth chord]]. | ||
* [[12:14:18:21]] (7-limit) - Another anomalous saturated suspension in the 9-odd-limit | * [[12:14:18:21]] (7-limit) - Another anomalous saturated suspension in the 9-odd-limit | ||
[[Category:Minor seventh chords|##]] | [[Category:Minor seventh chords|##]] <!-- 2-digit number --> | ||
Revision as of 11:20, 24 January 2026
| Chord information |
10:12:15:18, the just, classical, or ptolemaic minor seventh chord, is a minor seventh chord. It is an anomalous saturated suspension in the 9-odd-limit. It is found on the iii (5/4) and vi (5/3) of Ptolemy's intense diatonic scale (Zarlino), perhaps the most common 5-limit diatonic.
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Todo: expand, add sound example |
See also
Chords below are 5-limit unless noted.
- Its homonym 12:15:18:20 (1–5/4–3/2–5/3), a major sixth chord.
- 12:14:18:21 (7-limit) - Another anomalous saturated suspension in the 9-odd-limit