User:Overthink/Draft edits: Difference between revisions

From Xenharmonic Wiki
Jump to navigation Jump to search
Overthink (talk | contribs)
implemented 21edo edit
Overthink (talk | contribs)
Theory: update
Line 3: Line 3:
= 56edo =
= 56edo =
== Theory ==
== Theory ==
56edo shares its near perfect quality of classical major third with [[28edo]], which it doubles, while also adding a superpythagorean 5th that is a convergent towards the [[Metallic harmonic series|bronze metallic mean]], following [[17edo]] and preceding [[185edo]]. Because it contains 28edo's major third and also has a step size very close to the syntonic comma, 56edo contains very accurate approximations of both the classic major third [[5/4]] and the Pythagorean major third [[81/64]]. Unfortunately, this "Pythagorean major third" is not the major third as is stacked by fifths in 56edo. However, this interval represents the pythagorean major third consistently in [[224edo]], which is the quadruple of 56edo.
56edo shares its near perfect quality of classical major third with [[28edo]], which it doubles, while also adding a superpythagorean 5th in the "shrub region" between those of [[17edo]] and [[22edo]]. Because it contains 28edo's major third and also has a step size very close to the syntonic comma, 56edo contains very accurate approximations of both the classic major third [[5/4]] and the Pythagorean major third [[81/64]]. Unfortunately, this "Pythagorean major third" is not the major third as is stacked by fifths in 56edo. However, this interval represents the pythagorean major third consistently in [[224edo]], which is the quadruple of 56edo.


56edo has unambiguous approximations to prime harmonics up to [[19/1|19]], and possibly up to [[29/1|29]]. However harmonic [[3/1|3]] is quite sharp, leading harmonic [[9/1|9]] to be even more so, and causing intervals like [[10/9]], [[9/7]], and [[13/9]] to be inconsistent. Therefore, 56edo is not very popular compared to edos like [[53edo|53]] and [[58edo|58]].
56edo has unambiguous approximations to prime harmonics up to [[19/1|19]]. However, the harmonic [[3/1|3]] is quite sharp, leading harmonic [[9/1|9]] to be even more so, and causing intervals like [[10/9]], [[9/7]], and [[13/9]] to be inconsistent. Therefore, 56edo is not very popular compared to edos like [[53edo|53]] and [[58edo|58]].


One step of 56edo is the closest direct approximation to the syntonic comma, [[81/80]], with the number of directly approximated syntonic commas per octave being 55.7976. (However, note that by [[patent val]] mapping, 56edo actually maps the syntonic comma inconsistently, to two steps.) [[Barium]] temperament realizes this proximity through regular temperament theory, and is supported by notable edos like [[224edo]], [[1848edo]], and [[2520edo]], which is a highly composite edo.
One step of 56edo is the closest direct approximation to the syntonic comma, [[81/80]], with the number of directly approximated syntonic commas per octave being 55.7976. (However, note that by [[patent val]] mapping, 56edo actually maps the syntonic comma inconsistently, to two steps.) [[Barium]] temperament realizes this proximity through regular temperament theory, and is supported by notable edos like [[224edo]], [[1848edo]], and [[2520edo]], which is a highly composite edo.

Revision as of 05:34, 18 January 2026

This is a page where I will draft edits before making them on the actual page. This may possibly include drafting a new page to be created. If you have something to add to any of them, or any concerns, please suggest them on the talk page. If a template is set to debug, make sure to remove that setting when editing the target page.

56edo

Theory

56edo shares its near perfect quality of classical major third with 28edo, which it doubles, while also adding a superpythagorean 5th in the "shrub region" between those of 17edo and 22edo. Because it contains 28edo's major third and also has a step size very close to the syntonic comma, 56edo contains very accurate approximations of both the classic major third 5/4 and the Pythagorean major third 81/64. Unfortunately, this "Pythagorean major third" is not the major third as is stacked by fifths in 56edo. However, this interval represents the pythagorean major third consistently in 224edo, which is the quadruple of 56edo.

56edo has unambiguous approximations to prime harmonics up to 19. However, the harmonic 3 is quite sharp, leading harmonic 9 to be even more so, and causing intervals like 10/9, 9/7, and 13/9 to be inconsistent. Therefore, 56edo is not very popular compared to edos like 53 and 58.

One step of 56edo is the closest direct approximation to the syntonic comma, 81/80, with the number of directly approximated syntonic commas per octave being 55.7976. (However, note that by patent val mapping, 56edo actually maps the syntonic comma inconsistently, to two steps.) Barium temperament realizes this proximity through regular temperament theory, and is supported by notable edos like 224edo, 1848edo, and 2520edo, which is a highly composite edo.

56edo can be used to tune hemithirds, superkleismic, sycamore and keen temperaments, and using 56 89 130 158] (56d) as the equal temperament val, for pajara. It provides the optimal patent val for 7-, 11- and 13-limit sycamore, and the 11-limit 56d val is close to the POTE tuning for undecimal pajara.

Prime harmonics

Approximation of prime harmonics in 56edo
Harmonic 2 3 5 7 11 13 17 19 23 29 31
Error Absolute (¢) +0.00 +5.19 -0.60 -4.54 +5.82 -4.81 +2.19 +2.49 -6.85 -1.01 -9.32
Relative (%) +0.0 +24.2 -2.8 -21.2 +27.2 -22.5 +10.2 +11.6 -31.9 -4.7 -43.5
Steps
(reduced)
56
(0)
89
(33)
130
(18)
157
(45)
194
(26)
207
(39)
229
(5)
238
(14)
253
(29)
272
(48)
277
(53)

Subsets and supersets

Since 56 factors into 23 × 7, 56edo has subset edos 2, 4, 7, 8, 14, 28.

Main page

Welcome to the Xenharmonic Wiki!

The Xenharmonic Wiki is an open resource dedicated to musical tuning systems, focusing on xenharmonic music while also documenting historical tunings and tuning practices from world traditions. It covers the theory and practical applications of these systems.

For a lengthier introduction, see Xenharmonic Wiki: Introduction.

If you are new to musical tuning

Popular topics

Practical xenharmonics

Contributing to the Xenharmonic Wiki

This wiki is created by volunteers. It is a perpetual work in progress, depending on members of the community to help us develop it. We welcome relevant new content and constructive updates to existing pages, so please feel free to sign up and contribute!