4:5:6: Difference between revisions
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{{Infobox Chord|ColorName=yo or y}} | {{Infobox Chord|ColorName=yo or y}} | ||
'''4:5:6''' is the otonal [[major triad]], also known as the '''classical''' '''major triad''', '''Ptolemaic major triad''', or more generally - albeit less precisely - as the '''just major triad'''. It is among the most consonant triads, and it is among the most common triads in music. | '''4:5:6''' is the otonal [[major triad]], also known as the '''classical''' '''major triad''', '''Ptolemaic major triad''', or more generally - albeit less precisely - as the '''just major triad'''. It is among the most consonant triads, and it is among the most common triads in music. | ||
In counterpoint and some derived theories (but not necessarily modern pop or xenharmonic theory), its most concordant rotation, 3:4:5, is not typically considered to be consonant, as the fourth above the root is considered a dissonance (due to the fifth-centric nature of counterpoint). | |||
== Rotations around the octave == | == Rotations around the octave == | ||