User:TromboneBoi9/Approaches to weird EDOs: Difference between revisions
TromboneBoi9 (talk | contribs) added example to 8edo section |
TromboneBoi9 (talk | contribs) added small 13b edo section |
||
| Line 112: | Line 112: | ||
Movement down by the 7\13 minor fifth in a similar fashion is possible, but can only consonantly be done by starting on a 5\13 minor fourth, which is a well-approximated [[21/16]]. | Movement down by the 7\13 minor fifth in a similar fashion is possible, but can only consonantly be done by starting on a 5\13 minor fourth, which is a well-approximated [[21/16]]. | ||
===13''b'' edo=== | |||
If you ''really'' want to, you can do as I once did years back when I wanted to notate 13edo: use an [[antidiatonic]] (2L5s) notation generated by the 7\13 minor fifth (13edo's ''second''-best 3/2 approximation), rather than archaeotonic or oneirotonic. | |||
This creates a ''very'' hard antidiatonic system, with "minor seconds" four times the size of "major seconds." | |||
{| class="wikitable" | |||
! | |||
!0 | |||
!1 | |||
!2 | |||
!3 | |||
!4 | |||
!5 | |||
!6 | |||
!7 | |||
!8 | |||
!9 | |||
!10 | |||
!11 | |||
!12 | |||
|- | |||
![[6L 1s|6L1s]] notation | |||
|C | |||
|* | |||
|D | |||
|* | |||
|E | |||
|* | |||
|F | |||
|* | |||
|G | |||
|* | |||
|A | |||
|* | |||
|B | |||
|- | |||
![[5L 3s|5L3s]] notation | |||
|C | |||
|* | |||
|D | |||
|* | |||
|E | |||
|F | |||
|* | |||
|G | |||
|* | |||
|H | |||
|A | |||
|* | |||
|B | |||
|- | |||
![[2L 5s|2L5s]] notation | |||
|C | |||
|D | |||
|E | |||
|* | |||
|* | |||
|* | |||
|F | |||
|G | |||
|A | |||
|B | |||
|* | |||
|* | |||
|* | |||
|} | |||
==8edo== | ==8edo== | ||