15edo/Interval names: Difference between revisions

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Line 6: Line 6:
! Steps
! Steps
! Cents
! Cents
!
! [http://musictheory.zentral.zone/huntsystem4.html Aaron's Answer]
! [http://musictheory.zentral.zone/huntsystem4.html Aaron's Answer]
! [[Extra-Diatonic Intervals|Igs' Input]]
! [[Extra-Diatonic Intervals|Igs' Input]]
Line 19: Line 20:
| 0
| 0
| 0
| 0
|
| P1
| P1
| Unison
| Unison
Line 32: Line 34:
| 1
| 1
| 80
| 80
|
| m2
| m2
| Subminor 2nd
| Subminor 2nd
Line 45: Line 48:
| 2
| 2
| 160
| 160
|
| NM2 (Narrow M2)
| NM2 (Narrow M2)
| Neutral 2nd
| Neutral 2nd
Line 58: Line 62:
| 3
| 3
| 240
| 240
|
| LM2
| LM2
| Supermajor 2nd
| Supermajor 2nd
Line 71: Line 76:
| 4
| 4
| 320
| 320
|
| Lm3
| Lm3
| Minor 3rd
| Minor 3rd
Line 84: Line 90:
| 5
| 5
| 400
| 400
|
| M3
| M3
| Major 3rd
| Major 3rd
Line 97: Line 104:
| 6
| 6
| 480
| 480
|
| S4 (Small 4)
| S4 (Small 4)
| Sub 4th
| Sub 4th
Line 110: Line 118:
| 7
| 7
| 560
| 560
|
| Na4/Sd5
| Na4/Sd5
| Narrow Tritone
| Narrow Tritone
Line 123: Line 132:
| 8
| 8
| 640
| 640
|
| La4/Wd5
| La4/Wd5
| Wide Tritone
| Wide Tritone
Line 136: Line 146:
| 9
| 9
| 720
| 720
|
| L5
| L5
| Super 5th
| Super 5th
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| 10
| 10
| 800
| 800
|
| m6
| m6
| Minor 6th
| Minor 6th
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| 11
| 11
| 880
| 880
|
| SM6
| SM6
| Major 6th
| Major 6th
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| 12
| 12
| 960
| 960
|
| SM7
| SM7
| Subminor 7th
| Subminor 7th
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| 13
| 13
| 1040
| 1040
|
| Wm7
| Wm7
| Neutral 7th
| Neutral 7th
Line 201: Line 216:
| 14
| 14
| 1120
| 1120
|
| M7
| M7
| Supermajor 7th
| Supermajor 7th
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| 15
| 15
| 1200
| 1200
|
| P8
| P8
| Octave
| Octave
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{{Navbar table|cols=12|15edo-interval_names}}
{{Navbar table|cols=12|15edo-interval_names}}
</includeonly>
</includeonly>
|}<noinclude>
|}
<noinclude>
[[Category:15edo]]
[[Category:15edo]]
[[Category:Tables]]
[[Category:Tables]]
[[Category:Interval naming]]
[[Category:Interval naming]]
</noinclude>
</noinclude>

Revision as of 17:20, 15 April 2025

If you haven't made an interval naming system yet, make one and add a column when you finish your notation system!

Steps Cents Aaron's Answer Igs' Input Keenan Category Margo's Method Piotr Grochowski SagiSpeak Ups and Downs Lilly's List Ordway's Order Ratios
0 0 P1 Unison P1 Unison unison P1 P1, m2 P1 P1 1/1
1 80 m2 Subminor 2nd mi2 Minor 2nd augmented unison pai-P1 ^1, ^m2 K1 m2 25/24, 21/20, 16/15, 22/21
2 160 NM2 (Narrow M2) Neutral 2nd Mi2 Large Neutral 2nd high neutral second pao-M2 vM2 kM2 M2 11/10, 12/11, 10/9
3 240 LM2 Supermajor 2nd Ai2/di3 Large Major 2nd second–third M2 M2, m3 SM2/sm3 S2/s3 8/7, 7/6, 9/8
4 320 Lm3 Minor 3rd mi3 Large Minor 3rd minor third pai-m3 ^m3 Km3 m3 6/5, 11/9
5 400 M3 Major 3rd Mi3 Major 3rd major third pao-M3 vM3 kM3 M3 5/4, 14/11
6 480 S4 (Small 4) Sub 4th P4 Small Perfect 4th low fourth P4 M3, P4, d5 SM3/s4 P4 4/3, 9/7, 21/16
7 560 Na4/Sd5 Narrow Tritone Ai4 Small Tritone low augmented fourth pai-P4 ^4, ^d5 K4 m4 11/8, 7/5
8 640 La4/Wd5 Wide Tritone di5 Large Tritone high diminished fifth pao-P5 vA4, v5 k5 M5 16/11, 10/7
9 720 L5 Super 5th P5 Large Perfect 5th high fifth P5 A4, P5, m6 S5/sm6 P5 3/2, 14/9, 32/21
10 800 m6 Minor 6th mi6 Minor 6th minor sixth pai-m6 ^5, ^m6 Km6 m6 8/5, 11/7
11 880 SM6 Major 6th Mi6 Small Major 6th major sixth pao-M6 vA5, vM6 kM6 M6 5/3, 18/11
12 960 SM7 Subminor 7th Ai6/di7 Small Minor 7th sixth–seventh m7 M6, m7 SM6/sm7 S6/s7 7/4, 12/7, 16/9
13 1040 Wm7 Neutral 7th mi7 Small Neutral 7th low neutral seventh pai-m7 ^m7 Km7 m7 20/11, 11/6, 9/5
14 1120 M7 Supermajor 7th Mi7 Major 7th diminished octave pao-P8 vM7, v8 kM7 M7 48/25, 40/21, 15/8, 21/11
15 1200 P8 Octave P8 Octave octave P8 M7, P8 P8 P8 2/1