Lumatone mapping for 19edo: Difference between revisions

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== Hanson ==
== Hanson ==
The [[4L&nbsp;3s]] [[Hanson]] mapping is a good option if you want to extend your range while making well-tuned chords easy to play. This mapping works especially well since 19edo can be conceptualised as a chain of essentially pure [[6/5]]<nowiki />s.
The [[3L 1s]] [[Hanson]] mapping is a good option if you want to extend your range while making well-tuned chords easy to play. This mapping works especially well since 19edo can be conceptualised as a chain of essentially pure [[6/5]]<nowiki />s.
{{Lumatone EDO mapping|n=19|start=10|xstep=5|ystep=-1}}
{{Lumatone EDO mapping|n=19|start=10|xstep=5|ystep=-1}}


== Semiquartal ==
== Semiquartal ==
The [[5L&nbsp;4s]] mapping is also an excellent option, which also extends the range over the standard layout and makes the [[5L 2s|diatonic scale]] easier to play than on the Hanson layout.
The [[4L 1s]] mapping is also an excellent option, which also extends the range over the standard layout and makes the [[5L 2s|diatonic scale]] easier to play than on the Hanson layout.
{{Lumatone EDO mapping|n=19|start=13|xstep=4|ystep=-1}}
{{Lumatone EDO mapping|n=19|start=13|xstep=4|ystep=-1}}


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== Magic ==
== Magic ==
The [[Magic]] mapping has an even wider range and makes 5-limit chords just as easy to play, but the [[3L&nbsp;4s]] scale is somewhat lopsided with its 5:1 step ratio, the chroma goes downwards in the most efficient layout, and higher limit intervals require more awkward finger stretches.
The [[Magic]] mapping has an even wider range and makes 5-limit chords just as easy to play, but the [[3L 1s]] scale is somewhat lopsided with its 5:1 step ratio, the chroma goes downwards in the even more efficient [[1L 2s]] efficient layout, and higher limit intervals require more awkward finger stretches.
{{Lumatone EDO mapping|n=19|start=8|xstep=6|ystep=-5}}
{{Lumatone EDO mapping|n=19|start=3|xstep=6|ystep=1}}
{{Lumatone EDO mapping|n=19|start=3|xstep=6|ystep=1}}


{{Navbox Lumatone}}
{{Navbox Lumatone}}

Revision as of 11:58, 26 March 2025

There are many conceivable ways to map 19edo onto the onto the Lumatone keyboard. Only one, however, agrees with the Standard Lumatone mapping for Pythagorean.

Diatonic

This is "Preset 4 — 19-ET Bosanquet" in the official manual.

17
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0
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5
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15
18

Hanson

The 3L 1s Hanson mapping is a good option if you want to extend your range while making well-tuned chords easy to play. This mapping works especially well since 19edo can be conceptualised as a chain of essentially pure 6/5s.

10
15
14
0
5
10
15
13
18
4
9
14
0
5
10
17
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18
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10
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1
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8
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5
0
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0
5
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1
6
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2
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0
5
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11
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2
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10
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16
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7
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9
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0
5
16
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12
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13
18
4
9
11
16
2
7
12
17
3
8
11
16
2
7
12
6
11

Semiquartal

The 4L 1s mapping is also an excellent option, which also extends the range over the standard layout and makes the diatonic scale easier to play than on the Hanson layout.

13
17
16
1
5
9
13
15
0
4
8
12
16
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18
3
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11
15
10
14

Sensi

The Lumatone mapping for sensi is also another option, putting the notes of minor and major chords extremely close to each other:

2
7
4
9
14
0
5
1
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11
16
2
7
12
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8
2
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6
18
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0
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10
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11
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2
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12
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0
5
10
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11
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17
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18
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0
5
10
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12
17
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8
13
18
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16
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8
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18
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9
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10
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11
8
13
18
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10
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11
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11
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16
2
7
12
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8
13
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4
9
9
14
0
5
10
15
1
6
7
12
17
3
8
0
5

Magic

The Magic mapping has an even wider range and makes 5-limit chords just as easy to play, but the 3L 1s scale is somewhat lopsided with its 5:1 step ratio, the chroma goes downwards in the even more efficient 1L 2s efficient layout, and higher limit intervals require more awkward finger stretches.

8
14
9
15
2
8
14
4
10
16
3
9
15
2
8
5
11
17
4
10
16
3
9
15
2
8
0
6
12
18
5
11
17
4
10
16
3
9
15
2
1
7
13
0
6
12
18
5
11
17
4
10
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3
9
15
2
15
2
8
14
1
7
13
0
6
12
18
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11
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4
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3
9
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1
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0
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2
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