Lumatone mapping for 19edo: Difference between revisions

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{{Lumatone mapping intro}} This is "Preset 4 — 19-ET Bosanquet" in the official manual.

== Diatonic ==

This is "Preset 4 — 19-ET Bosanquet" in the official manual.

The [[4L 3s]] [[Hanson]] ~~and [[5L 4s]] semiquartal mappings are~~ good ~~options~~ if you want to extend your range while making well-tuned chords easy to play. ~~The Hanson~~ mapping works especially well since 19edo can be conceptualised as a chain of essentially pure [[6/5]]<nowiki />s~~, but the semiquartal mapping makes the [[5L 2s|diatonic scale]] easier to play~~.

== Hanson ==

The [[4L 3s]] [[Hanson]] mapping is a good option if you want to extend your range while making well-tuned chords easy to play. This mapping works especially well since 19edo can be conceptualised as a chain of essentially pure [[6/5]]<nowiki />s.

== Semiquartal ==

The [[5L 4s]] mapping is also an excellent option, which also extends the range over the standard layout and makes the [[5L 2s|diatonic scale]] easier to play than on the Hanson layout.

== Sensi ==

The [[Lumatone mapping for sensi]] is also another option, putting the notes of minor and major chords extremely close to each other:

The [[Magic]] mapping has an even wider range and makes 5-limit chords just as easy to play, but the [[3L 4s]] ~~MOS~~ scale is somewhat lopsided with its 5:1 step ratio, the chroma goes downwards in the most efficient layout, and higher limit intervals require more awkward finger stretches.

== Magic ==

The [[Magic]] mapping has an even wider range and makes 5-limit chords just as easy to play, but the [[3L 4s]] scale is somewhat lopsided with its 5:1 step ratio, the chroma goes downwards in the most efficient layout, and higher limit intervals require more awkward finger stretches.

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-{{Lumatone mapping intro}} This is "Preset 4 — 19-ET Bosanquet" in the official manual.
+{{Lumatone mapping intro}}
+== Diatonic ==
+This is "Preset 4&nbsp;— 19-ET Bosanquet" in the official manual.
 {{Lumatone EDO mapping|n=19|start=-2|xstep=3|ystep=-1}}
-The [[4L&nbsp;3s]] [[Hanson]] and [[5L&nbsp;4s]] semiquartal mappings are good options if you want to extend your range while making well-tuned chords easy to play. The Hanson mapping works especially well since 19edo can be conceptualised as a chain of essentially pure [[6/5]]<nowiki />s, but the semiquartal mapping makes the [[5L 2s|diatonic scale]] easier to play.
+== Hanson ==
+The [[4L&nbsp;3s]] [[Hanson]] mapping is a good option if you want to extend your range while making well-tuned chords easy to play. This mapping works especially well since 19edo can be conceptualised as a chain of essentially pure [[6/5]]<nowiki />s.
 {{Lumatone EDO mapping|n=19|start=10|xstep=5|ystep=-1}}
+== Semiquartal ==
+The [[5L&nbsp;4s]] mapping is also an excellent option, which also extends the range over the standard layout and makes the [[5L 2s|diatonic scale]] easier to play than on the Hanson layout.
 {{Lumatone EDO mapping|n=19|start=13|xstep=4|ystep=-1}}
+== Sensi ==
 The [[Lumatone mapping for sensi]] is also another option, putting the notes of minor and major chords extremely close to each other:
 {{Lumatone EDO mapping|n=19|start=2|xstep=5|ystep=-3}}
-The [[Magic]] mapping has an even wider range and makes 5-limit chords just as easy to play, but the [[3L&nbsp;4s]] MOS scale is somewhat lopsided with its 5:1 step ratio, the chroma goes downwards in the most efficient layout, and higher limit intervals require more awkward finger stretches.
+== Magic ==
+The [[Magic]] mapping has an even wider range and makes 5-limit chords just as easy to play, but the [[3L&nbsp;4s]] scale is somewhat lopsided with its 5:1 step ratio, the chroma goes downwards in the most efficient layout, and higher limit intervals require more awkward finger stretches.
 {{Lumatone EDO mapping|n=19|start=3|xstep=6|ystep=1}}
 {{Navbox Lumatone}}