Andrew Heathwaite: Difference between revisions

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I am Andrew Heathwaite. I decided to update my profile, since it was very old and out of date.
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{{See also|User:Xenji}}
{{See also|User:Xenji}}
'''Andrew Heathwaite''' is a performer, composer, teacher and student, whose work by his own characterization centers around compassionate creative skepticism, trivialization of power differences, and transformation of (at first invisible) constraints to provoke the new. "Xenharmonics is, for me, only one tool for avoiding telling society what it already knows."
'''Andrew Heathwaite''' is me.  I am a dad, husband, experimental human, and sometimes maker of music.  Since the early 2000's, I've had periods of high microtonal activity, and periods of none.  I owe a lot to Jacob Barton, who has inspired me countless times and been my collaborator on such projects as Oddmusic Urbana-Champaign and the Xenharmonic Praxis Summer Camp, where I was a teacher back in the day.  I've experimented with supergluing wire frets to produce homebrew microtonal instruments (a la Dante Rosati), although I confess when the frets started falling off, I got discouraged and walked away from that. I used to play [[22edo|22-tone]] guitar, [[88cET]] guitar, and a 20-tone JI dulcimer refretted that way; also cümbüş, a fretless Turkish lute, with a special focus on [[17edo]]; and a [[31edo|31-tone]] bouzouki refretted by Ron Sword.  But I don't have those instruments anymore.


As a project of Oddmusic Urbana-Champaign, he refretted a steel-string acoustic guitar to 22edo in 2009 and a mountain dulcimer to a 20-tone JI scale in simple overtone relationships ([[Harmonic_Limit|31-prime limit]], 45-odd limit) in 2010. He also plays cümbüş, a fretless Turkish lute, with a special focus on [[17edo|17edo]]. He is interested in linear temperaments and moment-of-symmetry scales, having worked quite a bit in neutral thirds scales, porcupine, and orwell.
Now (2025), after some years of no-music, followed by some years of 12-only music, I am back to occasional microtonal forays, with the intention at least to contribute this year to the [[Scale of the Month Club]]. I don't anticipate getting super involved in the microtonal community or taking on any sort of teacherly role (other people are much more committed and up on things than me), but it's nice to be involved again, even if just a little bit!
 
== Philosophy ==
''I no longer want to see microtonality slip under the radar into pop music without anyone noticing, just to be sold back to us by the greedy kings of copyright. That's not good enough.''
 
''I want a revolution that is aware of itself.''


== External links ==
== External links ==
* [https://andrewheathwaite.bandcamp.com/ Bandcamp profile] (with download links for Newbeams)
* [https://andrewheathwaite.bandcamp.com/ Bandcamp profile] (with download links for Newbeams)
* [http://soundclick.com/andrewheathwaite SoundClick profile]
* [https://soundcloud.com/andrew_heathwaite SoundCloud profile]
* [http://oddmusicuc.wordpress.com ODDMUSIC Urbana-Champaign]
* [https://soundclick.com/andrewheathwaite SoundClick profile]
* [http://untwelve.org UnTwelve]
* - [[File:external-6855b5f4f272812f2538853afd1c4157-withext.jpg|16px]] [http://www.wikispaces.com/user/view/Andrew_Heathwaite Andrew_Heathwaite]{{dead link}} - wiki profile
* [[Andrew Heathwaite's MOS Investigations]]
* [[Andrew Heathwaite's MOS Investigations]]
* [[Technical Notes for Newbeams]]
* [[Technical Notes for Newbeams]]

Revision as of 17:14, 13 January 2025

Andrew Heathwaite is me. I am a dad, husband, experimental human, and sometimes maker of music. Since the early 2000's, I've had periods of high microtonal activity, and periods of none. I owe a lot to Jacob Barton, who has inspired me countless times and been my collaborator on such projects as Oddmusic Urbana-Champaign and the Xenharmonic Praxis Summer Camp, where I was a teacher back in the day. I've experimented with supergluing wire frets to produce homebrew microtonal instruments (a la Dante Rosati), although I confess when the frets started falling off, I got discouraged and walked away from that. I used to play 22-tone guitar, 88cET guitar, and a 20-tone JI dulcimer refretted that way; also cümbüş, a fretless Turkish lute, with a special focus on 17edo; and a 31-tone bouzouki refretted by Ron Sword. But I don't have those instruments anymore.

Now (2025), after some years of no-music, followed by some years of 12-only music, I am back to occasional microtonal forays, with the intention at least to contribute this year to the Scale of the Month Club. I don't anticipate getting super involved in the microtonal community or taking on any sort of teacherly role (other people are much more committed and up on things than me), but it's nice to be involved again, even if just a little bit!

External links