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{{Wikipedia|Septimal tritone}} | {{Wikipedia|Septimal tritone}} | ||
In [[7-limit]] [[just intonation]], '''10/7''' is a '''high [[tritone]]''' (or '''Euler's tritone''') measuring about 617.5¢. It has a similar sound to its inversion, [[7/5]], but may sound a little edgier, less relaxed. Nonetheless, it is considered a septimal consonance. It appears in chords where a major third ([[5/4]]) appears above the harmonic seventh ([[7/4]]), such as 4:6:7:10 | In [[7-limit]] [[just intonation]], '''10/7''' is a '''high [[tritone]]''' (or '''Euler's tritone''') measuring about 617.5¢. It has a similar sound to its inversion, [[7/5]], but may sound a little edgier, less relaxed. Nonetheless, it is considered a septimal consonance. It appears in chords where a major third ([[5/4]]) appears above the harmonic seventh ([[7/4]]), such as 4:6:7:10 – This particular chord is well-approximated in [[88cET]], which has a good approximation of 10/7, but no 7/5. | ||
While in the context of the harmonic seventh chord, it is rightly recognized as a type of augmented fourth, it can also be argued on the basis of the fact that 10/7 interval is larger than 600 cents that it acts more as a type of diminished fifth than an augmented fourth | While in the context of the [[harmonic seventh chord]], it is rightly recognized as a type of augmented fourth, it can also be argued on the basis of the fact that 10/7 interval is larger than 600 cents that it acts more as a type of diminished fifth than an augmented fourth – an analysis that is required in cases where this interval occurs in a [[5L 2s|diatonic scale]] that demonstrates [[Rothenberg propriety]]. | ||
== See also == | == See also == | ||
* [[7/5]] – its [[octave complement]] | * [[7/5]] – its [[octave complement]] | ||
* [[21/20]] – its [[fifth complement]] | * [[21/20]] – its [[fifth complement]] | ||
Revision as of 09:34, 9 October 2024
| Interval information |
greater septimal tritone,
Euler's tritone
[sound info]
In 7-limit just intonation, 10/7 is a high tritone (or Euler's tritone) measuring about 617.5¢. It has a similar sound to its inversion, 7/5, but may sound a little edgier, less relaxed. Nonetheless, it is considered a septimal consonance. It appears in chords where a major third (5/4) appears above the harmonic seventh (7/4), such as 4:6:7:10 – This particular chord is well-approximated in 88cET, which has a good approximation of 10/7, but no 7/5.
While in the context of the harmonic seventh chord, it is rightly recognized as a type of augmented fourth, it can also be argued on the basis of the fact that 10/7 interval is larger than 600 cents that it acts more as a type of diminished fifth than an augmented fourth – an analysis that is required in cases where this interval occurs in a diatonic scale that demonstrates Rothenberg propriety.
