Dominant seventh sharp five chord: Difference between revisions
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* (Meantone) 1/1 ‒ [[5/4]] ‒ [[25/16]] ‒ [[9/5]], with steps ~5/4, ~5/4, ~144/125. | * (Meantone) 1/1 ‒ [[5/4]] ‒ [[25/16]] ‒ [[9/5]], with steps ~5/4, ~5/4, ~144/125. | ||
In [[augmented (temperament)|augmented temperament]], which tempers out [[128/125]], a ~[[25/16]] augmented fifth is equated with an ~[[8/5]] minor sixth. | In [[augmented (temperament)|augmented temperament]], which tempers out [[128/125]], a ~[[25/16]] augmented fifth is equated with an ~[[8/5]] minor sixth. The resulting chord is [[25-odd-limit]] due to the [[36/25]]~[[45/32]] interval between the ~[[9/5]] minor seventh and ~[[5/4]] major third. | ||
* (Augmented) 1/1 ‒ [[5/4]] ‒ [[8/5]] ‒ [[9/5]], with steps ~5/4, ~5/4, ~9/8. | * (Augmented) 1/1 ‒ [[5/4]] ‒ [[8/5]] ‒ [[9/5]], with steps ~5/4, ~5/4, ~9/8. | ||
In [[archytas]] temperament, which tempers out [[64/63]], ~16/9 is equated with ~[[7/4]], giving another 25-odd | In [[archytas]] temperament, which tempers out [[64/63]], ~16/9 is equated with ~[[7/4]], giving another 25-odd chord: | ||
* (Archytas) 1/1 ‒ [[5/4]] ‒ [[25/16]] ‒ [[7/4]], with steps ~5/4, ~5/4, ~28/25. | * (Archytas) 1/1 ‒ [[5/4]] ‒ [[25/16]] ‒ [[7/4]], with steps ~5/4, ~5/4, ~28/25. |
Revision as of 04:04, 16 September 2024
A dominant seventh sharp five chord, or augmented seventh chord, is a tetrad comprising a root, major third, augmented fifth, and minor seventh.
In temperaments
In meantone, on which traditional tonal harmony is built, the minor seventh tempers together 9/5~16/9, giving a chord with an intervallic odd limit of 125:
In augmented temperament, which tempers out 128/125, a ~25/16 augmented fifth is equated with an ~8/5 minor sixth. The resulting chord is 25-odd-limit due to the 36/25~45/32 interval between the ~9/5 minor seventh and ~5/4 major third.
In archytas temperament, which tempers out 64/63, ~16/9 is equated with ~7/4, giving another 25-odd chord:
In marvel temperament, which tempers out 225/224, ~25/16 is equated with ~14/9, and the ~64/45 tritone between a ~5/4 major third a ~16/9 minor seventh is equated with ~10/7, yielding a 9-odd-limit essentially tempered chord:
12edo is a good tuning of augmented temperament and supports all of the above temperaments to varying degrees, and septimal meantone — which is well-represented by the historically prevalent quarter-comma meantone — supports marvel, so any of the above interpretations may be relevant for seventh sharp five chords found in contemporary and common-practice music.
In just intonation
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