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Equal divisions of the Komornik–Loreti Seventh, which is the Komornik–Loreti constant used as a musical interval.
Equal divisions of the Komornik–Loreti Seventh, which is the Komornik–Loreti constant used as a musical interval.
== Correspondence of EDN to EDO ==
{| class="wikitable"
|+
!Tuning
!Equivalent edo
!Comment
|-
|2edn
|
|A stack of two major sixths
|-
|3edn
|[[2edo]]
|
|-
|4edn
|
| rowspan="2" |Neither are equivalent with [[3edo]]
|-
|5edn
|
|-
|6edn
|[[4edo]]
|With a stretch
|-
|7edn
|[[5edo]]
|
|-
|8edn
|
|Entirely misses 2/1, falling halfway between 5edo and 6edo
|-
|9edn
|[[6edo]]
|With a considerable stretch
|-
|10edn
|[[7edo]]
|
|-
|11edn
|
| rowspan="2" |Neither are equivalent to 8edo
|-
|12edn
|
|-
|13edn
|[[9edo]]
|
|-
|14edn
|
| rowspan="2" |Neither are equivalent to 10edo
|-
|15edn
|
|-
|16edn
|[[11edo]]
|
|-
|17edn
|[[12edo]]
|With a noticeable stretch, given the dominance of 12edo this is more likely to sound like out of tune 12edo than it's own tuning
|-
|18edn
|
|Entirely misses 2/1, falling halfway between 12 and 13edo
|-
|19edn
|[[13edo]]
|Noticeably compressed
|-
|20edn
|[[14edo]]
|Noticeably stretched
|-
|21edn
|
|Entirely misses 2/1, falling halfway between 14edo and 15edo
|-
|22edn
|
|Cannot be considered equivalent to [[15edo]]
|-
|23edn
|[[16edo]]
|
|-
|24edn
|[[17edo]]
|Some equivalences can be spotted due to 17edo's fame but it's a heavy stretch amounting to 40%
|}