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Equal divisions of the Komornik–Loreti Seventh, which is the Komornik–Loreti constant used as a musical interval. | Equal divisions of the Komornik–Loreti Seventh, which is the Komornik–Loreti constant used as a musical interval. | ||
== Correspondence of EDN to EDO == | |||
{| class="wikitable" | |||
|+ | |||
!Tuning | |||
!Equivalent edo | |||
!Comment | |||
|- | |||
|2edn | |||
| | |||
|A stack of two major sixths | |||
|- | |||
|3edn | |||
|[[2edo]] | |||
| | |||
|- | |||
|4edn | |||
| | |||
| rowspan="2" |Neither are equivalent with [[3edo]] | |||
|- | |||
|5edn | |||
| | |||
|- | |||
|6edn | |||
|[[4edo]] | |||
|With a stretch | |||
|- | |||
|7edn | |||
|[[5edo]] | |||
| | |||
|- | |||
|8edn | |||
| | |||
|Entirely misses 2/1, falling halfway between 5edo and 6edo | |||
|- | |||
|9edn | |||
|[[6edo]] | |||
|With a considerable stretch | |||
|- | |||
|10edn | |||
|[[7edo]] | |||
| | |||
|- | |||
|11edn | |||
| | |||
| rowspan="2" |Neither are equivalent to 8edo | |||
|- | |||
|12edn | |||
| | |||
|- | |||
|13edn | |||
|[[9edo]] | |||
| | |||
|- | |||
|14edn | |||
| | |||
| rowspan="2" |Neither are equivalent to 10edo | |||
|- | |||
|15edn | |||
| | |||
|- | |||
|16edn | |||
|[[11edo]] | |||
| | |||
|- | |||
|17edn | |||
|[[12edo]] | |||
|With a noticeable stretch, given the dominance of 12edo this is more likely to sound like out of tune 12edo than it's own tuning | |||
|- | |||
|18edn | |||
| | |||
|Entirely misses 2/1, falling halfway between 12 and 13edo | |||
|- | |||
|19edn | |||
|[[13edo]] | |||
|Noticeably compressed | |||
|- | |||
|20edn | |||
|[[14edo]] | |||
|Noticeably stretched | |||
|- | |||
|21edn | |||
| | |||
|Entirely misses 2/1, falling halfway between 14edo and 15edo | |||
|- | |||
|22edn | |||
| | |||
|Cannot be considered equivalent to [[15edo]] | |||
|- | |||
|23edn | |||
|[[16edo]] | |||
| | |||
|- | |||
|24edn | |||
|[[17edo]] | |||
|Some equivalences can be spotted due to 17edo's fame but it's a heavy stretch amounting to 40% | |||
|} |