Marvel: Difference between revisions
Briefly discuss 13-limit extensions; rework chords section; style; mark a dead link |
Make the lattice a gallery; improve wording |
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== Interval lattice == | == Interval lattice == | ||
<gallery> | |||
File:Lattice Marvel.png|11-limit marvel | |||
</gallery> | |||
== Notation == | == Notation == | ||
Marvel can be notated the same as [[5-limit]] [[just intonation]] since they share the same lattice structure. | Marvel can be notated the same as [[5-limit]] [[just intonation]] since they share the same lattice structure. One way to do this is to take the conventional [[circle-of-fifths notation]] with an additional module of accidentals for the [[81/80]] comma. In this system, 5/4 is a major third, 7/4 an augmented sixth, and 11/8 a double diminished 5th. | ||
One way to do this is to take the conventional [[circle-of-fifths notation]] with an additional module of accidentals for the [[81/80]] comma. In this system, 5/4 is a major third, 7/4 an augmented sixth, and 11/8 a double diminished 5th. | |||
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Alternatively, it can be notated the same as full prime-limit just intonation, with a distinct accidental pair for each prime. That makes some intervals more intuitive, at the cost of hiding the structure of marvel tempering. For example, it is customary of the 5/4 to be a major third, and 7/4 to be a minor seventh. As a result, the fact that the 14/9 is a stack of two 5/4's is not revealed, and the related chords can be | Alternatively, it can be notated the same as full prime-limit just intonation, with a distinct accidental pair for each prime. That makes some intervals more intuitive, at the cost of hiding the structure of marvel tempering. For example, it is customary of the 5/4 to be a major third, and 7/4 to be a minor seventh. As a result, the fact that the 14/9 is a stack of two 5/4's is not revealed, and the related chords can be less convenient. | ||
== Chords == | == Chords == |