Aura
Joined 31 August 2020
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:::::: I can anticipate that some may object that I should draw the line for defining edo steps at something more substantial like 13.5 cents, but I while concur that an edo step size between 7.5 and 13.5 cents is not viable in the traditional musical sense as a step between consecutive notes, I do notice that it does have a usage as a comma pump, and therefore, it has musical value as an edo step size for purposes of modulation, especially for modulating Jacob-Collier-style between keys. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 17:49, 1 September 2020 (UTC) | :::::: I can anticipate that some may object that I should draw the line for defining edo steps at something more substantial like 13.5 cents, but I while concur that an edo step size between 7.5 and 13.5 cents is not viable in the traditional musical sense as a step between consecutive notes, I do notice that it does have a usage as a comma pump, and therefore, it has musical value as an edo step size for purposes of modulation, especially for modulating Jacob-Collier-style between keys. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 17:49, 1 September 2020 (UTC) | ||
:::::: One of the problems I have with notation that doesn't take these kinds of kleismatic differences into account is that without such distinctions, it's hard to determine which notes should have which tunings in order to accomplish a seamless modulation between keys on different circles of fifths, and I've honestly found that to be a significant problem with transcriptions of Jacob Collier's rendition of In the Bleak Midwinter in particular. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 18:33, 1 September 2020 (UTC) | :::::: One of the problems I have with notation that doesn't take these kinds of kleismatic differences into account is that without such distinctions, it's hard to determine which notes should have which tunings in order to accomplish a seamless modulation between keys on different circles of fifths, and I've honestly found that to be a significant problem with transcriptions of Jacob Collier's rendition of In the Bleak Midwinter in particular. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 18:33, 1 September 2020 (UTC) | ||
::::::: Wow that was a long read! I'd just like to remind, with 159edo you can think of pitch categories and you don't have to pick fixed pitches for each category, unlike 12edo where you don't have much choice. For example, the 3rd note can vary from 5/4 to 9/7 in different occasions. AFAIK Jacob does his stuff mostly in terms of JI, so I'd think this way too in this case. As for where to draw the edo stopping line, my answer would be 6 cents for human audience (cuz there's an edo around that size that's become my latest favorite :)). [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 06:02, 2 September 2020 (UTC) |