Chords of pajara: Difference between revisions

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This page lists all [[11-odd-limit]] [[dyadic chord]]s of [[11-limit]] [[pajara]] temperament. Each chord listed has multiple {{W|Chord inversion|inversions}}; only one is listed, which may not be the optimal {{W|Voicing (music)|voicing}} of the chord. Note that there are many common chords, such as the classical [[major seventh chord]] with ratios [[8:10:12:15]], which are not listed; in this case because [[15/8]] is not a ratio of the 11-odd-limit.

This page lists all [[11-odd-limit]] [[dyadic chord]]s of [[11-limit]] [[pajara]] temperament. Each chord listed has multiple {{W|Chord inversion|inversions}}; only one is listed, that being the inversion where all notes are a nonnegative number of perfect fifth [[generator]]s above the root or semioctave, which may not be the optimal {{W|Voicing (music)|voicing}} of the chord. Note that there are many common chords, such as the classical [[major seventh chord]] with ratios [[8:10:12:15]], which are not listed; in this case because [[15/8]] is not a ratio of the 11-odd-limit.

If a chord is [[dyadic chord #Essentially tempered dyadic chord|essentially just]], then it is classified as [[otonal]] if it is best analyzed in terms of the [[harmonic series]], [[utonal]] if best analyzed in terms of the [[subharmonic series]], and [[ambitonal]] if it is equally well analyzed with either.

If a chord is [[dyadic chord #Essentially tempered dyadic chord|essentially just]], then it is classified as [[otonal]] if it is best analyzed in terms of the [[harmonic series]], [[utonal]] if best analyzed in terms of the [[subharmonic series]], and [[ambitonal]] if it is equally well analyzed with either. If a chord is [[dyadic chord #Essentially tempered dyadic chord|essentially tempered]], it is classified based on which [[comma]]s are needed to define the chord. Chords essentially tempered by [[50/49]] are labeled [[jubilismic chords|jubilismic]], by [[64/63]] [[archytas chords|archytas]], by [[99/98]] [[mothwellsmic chords|mothwellsmic]], by [[100/99]] [[ptolemismic chords|ptolemismic]], by [[176/175]] [[valinorsmic chords|valinorsmic]], by [[225/224]] [[marvel chords|marvel]], and by [[896/891]] [[pentacircle chords|pentacircle]]. Chords that require any two of 50/49, 64/63, and 225/224 to vanish are labeled (placeholder), and chords that require any two of 50/49, 99/98, and 100/99 to vanish are labeled [[jubilee chords|jubilee]]. Chords that require any two of 64/63, 99/98, and 896/891 to vanish are labeled [[supra chords|supra]] (placeholder), and chords that require any two of 64/63, 100/99, and 176/175 to vanish are labeled [[ares chords|ares]]. Chords that require any two of 99/98, 176/175, and 225/224 to vanish are labeled [[minerva chords|minerva]], and chords that require any two of 100/99, 225/224, and 896/891 to vanish are labeled [[apollo chords|apollo]]. Finally, chords that require any three independent commas listed above to vanish are labeled [[pajara chords|pajara]].

; ''Please review essential tempering types''

== Triads ==

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 {{Editable user page}}
-This page lists all [[11-odd-limit]] [[dyadic chord]]s of [[11-limit]] [[pajara]] temperament. Each chord listed has multiple {{W|Chord inversion|inversions}}; only one is listed, which may not be the optimal {{W|Voicing (music)|voicing}} of the chord. Note that there are many common chords, such as the classical [[major seventh chord]] with ratios [[8:10:12:15]], which are not listed; in this case because [[15/8]] is not a ratio of the 11-odd-limit.
+This page lists all [[11-odd-limit]] [[dyadic chord]]s of [[11-limit]] [[pajara]] temperament. Each chord listed has multiple {{W|Chord inversion|inversions}}; only one is listed, that being the inversion where all notes are a nonnegative number of perfect fifth [[generator]]s above the root or semioctave, which may not be the optimal {{W|Voicing (music)|voicing}} of the chord. Note that there are many common chords, such as the classical [[major seventh chord]] with ratios [[8:10:12:15]], which are not listed; in this case because [[15/8]] is not a ratio of the 11-odd-limit.
-If a chord is [[dyadic chord #Essentially tempered dyadic chord|essentially just]], then it is classified as [[otonal]] if it is best analyzed in terms of the [[harmonic series]], [[utonal]] if best analyzed in terms of the [[subharmonic series]], and [[ambitonal]] if it is equally well analyzed with either.
+If a chord is [[dyadic chord #Essentially tempered dyadic chord|essentially just]], then it is classified as [[otonal]] if it is best analyzed in terms of the [[harmonic series]], [[utonal]] if best analyzed in terms of the [[subharmonic series]], and [[ambitonal]] if it is equally well analyzed with either. If a chord is [[dyadic chord #Essentially tempered dyadic chord|essentially tempered]], it is classified based on which [[comma]]s are needed to define the chord. Chords essentially tempered by [[50/49]] are labeled [[jubilismic chords|jubilismic]], by [[64/63]] [[archytas chords|archytas]], by [[99/98]] [[mothwellsmic chords|mothwellsmic]], by [[100/99]] [[ptolemismic chords|ptolemismic]], by [[176/175]] [[valinorsmic chords|valinorsmic]], by [[225/224]] [[marvel chords|marvel]], and by [[896/891]] [[pentacircle chords|pentacircle]]. Chords that require any two of 50/49, 64/63, and 225/224 to vanish are labeled (placeholder), and chords that require any two of 50/49, 99/98, and 100/99 to vanish are labeled [[jubilee chords|jubilee]]. Chords that require any two of 64/63, 99/98, and 896/891 to vanish are labeled [[supra chords|supra]] (placeholder), and chords that require any two of 64/63, 100/99, and 176/175 to vanish are labeled [[ares chords|ares]]. Chords that require any two of 99/98, 176/175, and 225/224 to vanish are labeled [[minerva chords|minerva]], and chords that require any two of 100/99, 225/224, and 896/891 to vanish are labeled [[apollo chords|apollo]]. Finally, chords that require any three independent commas listed above to vanish are labeled [[pajara chords|pajara]].
+; ''Please review essential tempering types''
 == Triads ==