Lumatone mapping for 46edo: Difference between revisions
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{{Lumatone mapping intro}} | {{Lumatone mapping intro}} | ||
== Diatonic == | |||
{{Lumatone EDO mapping|n=46|start=4|xstep=8|ystep=-5}} | {{Lumatone EDO mapping|n=46|start=4|xstep=8|ystep=-5}} | ||
Unfortunately the [[Leapday]] diatonic scale is not meantone, and makes basic 5-limit minor and major interval quite complex and often awkward to play. (For example, reaching 5/4 using only sharps and flats would require a triply-augmented unison, such as C–C𝄪♯ or C to C triple sharp). The [[Rodan]] mapping has a slightly wider range and is probably more intuitive, but has the disadvantage of skipping a chroma on some of the transitions between columns, making it impossible to play the full gamut of each octave, and each octave is substantially higher up on the keyboard. | Unfortunately the [[Leapday]] diatonic scale is not meantone, and makes basic 5-limit minor and major interval quite complex and often awkward to play. (For example, reaching 5/4 using only sharps and flats would require a triply-augmented unison, such as C–C𝄪♯ or C to C triple sharp). | ||
== Rodan == | |||
The [[Rodan]] mapping has a slightly wider range and is probably more intuitive, but has the disadvantage of skipping a chroma on some of the transitions between columns, making it impossible to play the full gamut of each octave, and each octave is substantially higher up on the keyboard. | |||
{{Lumatone EDO mapping|n=46|start=18|xstep=9|ystep=-1}} | {{Lumatone EDO mapping|n=46|start=18|xstep=9|ystep=-1}} | ||
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{{Lumatone EDO mapping|n=46|start=21|xstep=9|ystep=-8}} | {{Lumatone EDO mapping|n=46|start=21|xstep=9|ystep=-8}} | ||
== Sensi == | |||
The [[Lumatone mapping for sensi]] is another option that makes 5-limit chords fairly easy to play, although it has a slightly smaller range. | The [[Lumatone mapping for sensi]] is another option that makes 5-limit chords fairly easy to play, although it has a slightly smaller range. | ||
{{Lumatone EDO mapping|n=46|start=37|xstep=5|ystep=2}} | {{Lumatone EDO mapping|n=46|start=37|xstep=5|ystep=2}} | ||
== Amity == | |||
The [[Amity]] | The [[Lumatone mapping for Amity]] is a good compromise between these, since it provides an even heptatonic scale, making the full gamut playable, puts 5-limit minor and major chords within easy reach, and has the chroma going in the correct direction. | ||
{{Lumatone EDO mapping|n=46|start=41|xstep=7|ystep=-1}} | {{Lumatone EDO mapping|n=46|start=41|xstep=7|ystep=-1}} | ||
== Echidnic == | |||
The [[Echidnic]] mapping does even better, giving the greatest overall efficiency at reaching harmonics while also keeping octaves close to horizontal. | The [[Echidnic]] mapping does even better than Amity, giving the greatest overall efficiency at reaching harmonics while also keeping octaves close to horizontal. | ||
{{Lumatone EDO mapping|n=46|start=44|xstep=9|ystep=-4}} | {{Lumatone EDO mapping|n=46|start=44|xstep=9|ystep=-4}} | ||
{{Navbox Lumatone}} | {{Navbox Lumatone}} | ||