Flattone: Difference between revisions
Removed redirect to Meantone family#Flattone Tag: Removed redirect |
+an overview to tunings; +category |
||
| Line 2: | Line 2: | ||
11- and 13-limit extensions are fairly obvious, using the heavily tempered [[chromatic semitone]] for the undecimal quartertone of [[33/32]] and the tridecimal third tone of [[27/26]]. 11/8 is an augmented fourth, and 13/8 is a minor sixth, conflated with [[8/5]]. | 11- and 13-limit extensions are fairly obvious, using the heavily tempered [[chromatic semitone]] for the undecimal quartertone of [[33/32]] and the tridecimal third tone of [[27/26]]. 11/8 is an augmented fourth, and 13/8 is a minor sixth, conflated with [[8/5]]. | ||
Reasonable tunings lie between [[19edo]] and [[26edo]]. 19edo is the point where 7/4 and [[12/7]] are conflated. Any tuning whose fifth is sharper than 19edo's has the sizes of 7/4 and 12/7 inverted, so they can be more properly analysed as septimal meantone. Similarly, 26edo is the point where 7/5 and [[10/7]] are conflated. Any tuning whose fifth is flatter than 26edo's has the sizes of 7/5 and 10/7 inverted, so they can be more properly analysed as a flatter-of-flattone temperament. | |||
See [[Meantone family #Flattone]] for technical data. | See [[Meantone family #Flattone]] for technical data. | ||
| Line 76: | Line 78: | ||
[[Category:Meantone family]] | [[Category:Meantone family]] | ||
[[Category:Avicennmic temperaments]] | [[Category:Avicennmic temperaments]] | ||
[[Category:Keemic temperaments]] | |||