17edo neutral scale: Difference between revisions

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m 17edo neutral scale: link to neutral thirds scale
 
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A lovely system of Middle-Eastern flavored scales!
A lovely system of Middle-Eastern flavored scales!


We can call the [[MOSScales|Moment of Symmetry]] scale derived from a 5/17 generator & an octave repeat the '''17edo Neutral Scale'''. We build it by stacking neutral thirds, the generator of the [[maqamic|maqamic temperament]]. In [[17edo]] that means the interval of five degrees of 17.
We can call the [[MOSScales|Moment of Symmetry]] scale derived from a 5/17 generator & an octave repeat the '''17edo Neutral Scale'''. It is an example of a [[neutral thirds scale]]. We build it by stacking neutral thirds, the generator of the [[neutrominant]] temperament. In [[17edo]] that means the interval of five degrees of 17.


Begin anywhere. Let's call our first pitch (& its octave transposition) 0:
Begin anywhere. Let's call our first pitch (& its octave transposition) 0:
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We have arrived again at a MOS scale, of type 3L+4s ("mosh" according to the [[MOSNamingScheme]]).
We have arrived again at a MOS scale, of type 3L+4s ("mosh" according to the [[MOSNamingScheme]]).
==Interval chain==
==Interval chain==
Viewing 17edo as a temperament on the 2.3.7.11.13 subgroup, we get the following interpretation for the 2122122212 mode of the 10-note MOS scale:
Viewing 17edo as a temperament on the 2.3.7.11.13 subgroup, we get the following interpretation for the 2122122212 mode of the 10-note MOS scale:
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<references/>
<references/>


The 6th degree can be raised by a chroma to a 23/16 (-5 generators). Some may prefer using the sharper 6th degree because it makes a 7/4 with the 8th degree.
The 6th degree can be raised by a [[chroma]] to a 23/16 (-5 generators). Some may prefer using the sharper 6th degree because it makes a 7/4 with the 8th degree.


== 7-note neutral scale ==
== 7-note neutral scale ==
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=== modes of 7-note neutral scale ===
=== modes of 7-note neutral scale ===
{{Idiosyncratic terms|The 7 proposed mode names}}


Naturally, with seven notes we have seven modes, depending on which note we make the starting pitch (tonic) of the scale. I ([[Andrew Heathwaite]]) have given these modes a one-syllable name for my own use. Feel free to name (or not name) these modes as you see fit:
Naturally, with seven notes we have seven modes, depending on which note we make the starting pitch (tonic) of the scale. I ([[Andrew Heathwaite]]) have given these modes a one-syllable name for my own use. Feel free to name (or not name) these modes as you see fit: