Well temperament: Difference between revisions
deleted the mmtm stuff |
Add (Vincenzo) Galilei's tuning |
||
| (One intermediate revision by one other user not shown) | |||
| Line 23: | Line 23: | ||
# seven [[3/2|pure]] fifths | # seven [[3/2|pure]] fifths | ||
* [[Werck3]] – Werckmeister temperament III | * [[Werck3|Werckmeister III]] – Werckmeister temperament III | ||
# four tempered fifths (C–G, D–A, G–D and B–F#) are tuned flat by 1/4 comma (''Werckmeister did not specify whether the syntonic or [[pythagorean comma|Pythagorean]] comma should be used, so either is acceptable'') | # four tempered fifths (C–G, D–A, G–D and B–F#) are tuned flat by 1/4 comma (''Werckmeister did not specify whether the syntonic or [[pythagorean comma|Pythagorean]] comma should be used, so either is acceptable'') | ||
# eight [[3/2|pure]] fifths | # eight [[3/2|pure]] fifths | ||
| Line 50: | Line 50: | ||
# six tempered fifths (C–G, D–A, E–B, F–C, G–D and A–E) are flat by 1/6 Pythagorean comma | # six tempered fifths (C–G, D–A, E–B, F–C, G–D and A–E) are flat by 1/6 Pythagorean comma | ||
# six pure fifths | # six pure fifths | ||
* [[Galilei's tuning]] | |||
# eleven [[18/17]] (~99{{cent}}) semitones | |||
# one (2/1)/(18/17)<sup>11</sup> (~111.5{{cent}}) semitone (B-C) | |||
== Classification by approaches == | == Classification by approaches == | ||