Lumatone mapping for 14edo: Difference between revisions
Jump to navigation
Jump to search
Lots of expansion. |
→Whitewood: Add demo video |
||
| (One intermediate revision by one other user not shown) | |||
| Line 1: | Line 1: | ||
{{Lumatone mapping intro}} Only two generators work at all to produce single period mos scales. | |||
== Whitewood == | == Whitewood == | ||
The closest thing to a diatonic scale is the whitewood mapping, which puts the naturals in a straight line and the second unconnected circle of fifths above and below. | The closest thing to a diatonic scale is the whitewood mapping, which puts the naturals in a straight line and the second unconnected circle of fifths above and below. [[Bryan Deister]] demonstrates this mapping in [https://www.youtube.com/shorts/7rIthSC8zfY ''<nowiki>Casting Shadows On My Mantle - 14edo [short]</nowiki>''] (2026). | ||
{{Lumatone EDO mapping|n=14|start=0|xstep=2|ystep=-1}} | {{Lumatone EDO mapping|n=14|start=0|xstep=2|ystep=-1}} | ||
== Beep == | == Beep == | ||
In terms of approximating simple consonant intervals and giving them comfortable fingerings, the [[ | In terms of approximating simple consonant intervals and giving them comfortable fingerings, the [[Beep]] mapping is the most efficient, although they still sound quite dissonant compared to 12edo. | ||
{{Lumatone EDO mapping|n=14|start=11|xstep=3|ystep=-1}} | {{Lumatone EDO mapping|n=14|start=11|xstep=3|ystep=-1}} | ||
== Smate == | == Smate == | ||
The [[smate]] mapping is most effective if you want to maximise range, although you should still probably expand it from [[1L 1s]] to [[2L 1s]] to make chords easier to | The [[smate]] mapping is most effective if you want to maximise range, although you should still probably expand it from [[1L 1s]] to [[2L 1s]] to make chords easier to play, as 11 octaves is still beyond the range of human hearing. | ||
{{Lumatone EDO mapping|n=14|start=11|xstep=5|ystep=-1}} | {{Lumatone EDO mapping|n=14|start=11|xstep=5|ystep=-1}} | ||
{{Navbox Lumatone}} | {{Navbox Lumatone}} | ||
Latest revision as of 07:09, 20 January 2026
There are many conceivable ways to map 14edo onto the onto the Lumatone keyboard. However, it has 2 mutually-exclusive rings of fifths, so the Standard Lumatone mapping for Pythagorean is not one of them. Only two generators work at all to produce single period mos scales.
Whitewood
The closest thing to a diatonic scale is the whitewood mapping, which puts the naturals in a straight line and the second unconnected circle of fifths above and below. Bryan Deister demonstrates this mapping in Casting Shadows On My Mantle - 14edo [short] (2026).
0
2
1
3
5
7
9
0
2
4
6
8
10
12
0
1
3
5
7
9
11
13
1
3
5
7
0
2
4
6
8
10
12
0
2
4
6
8
10
12
1
3
5
7
9
11
13
1
3
5
7
9
11
13
1
3
5
0
2
4
6
8
10
12
0
2
4
6
8
10
12
0
2
4
6
8
10
1
3
5
7
9
11
13
1
3
5
7
9
11
13
1
3
5
7
9
11
13
1
3
0
2
4
6
8
10
12
0
2
4
6
8
10
12
0
2
4
6
8
10
12
0
2
4
6
8
3
5
7
9
11
13
1
3
5
7
9
11
13
1
3
5
7
9
11
13
1
3
5
7
9
11
13
1
8
10
12
0
2
4
6
8
10
12
0
2
4
6
8
10
12
0
2
4
6
8
10
12
0
2
1
3
5
7
9
11
13
1
3
5
7
9
11
13
1
3
5
7
9
11
13
1
3
6
8
10
12
0
2
4
6
8
10
12
0
2
4
6
8
10
12
0
2
13
1
3
5
7
9
11
13
1
3
5
7
9
11
13
1
3
4
6
8
10
12
0
2
4
6
8
10
12
0
2
11
13
1
3
5
7
9
11
13
1
3
2
4
6
8
10
12
0
2
9
11
13
1
3
0
2
Beep
In terms of approximating simple consonant intervals and giving them comfortable fingerings, the Beep mapping is the most efficient, although they still sound quite dissonant compared to 12edo.
11
0
13
2
5
8
11
12
1
4
7
10
13
2
5
0
3
6
9
12
1
4
7
10
13
2
13
2
5
8
11
0
3
6
9
12
1
4
7
10
1
4
7
10
13
2
5
8
11
0
3
6
9
12
1
4
7
0
3
6
9
12
1
4
7
10
13
2
5
8
11
0
3
6
9
12
1
2
5
8
11
0
3
6
9
12
1
4
7
10
13
2
5
8
11
0
3
6
9
12
1
4
7
10
13
2
5
8
11
0
3
6
9
12
1
4
7
10
13
2
5
8
11
0
3
6
6
9
12
1
4
7
10
13
2
5
8
11
0
3
6
9
12
1
4
7
10
13
2
5
8
11
0
3
0
3
6
9
12
1
4
7
10
13
2
5
8
11
0
3
6
9
12
1
4
7
10
13
2
5
11
0
3
6
9
12
1
4
7
10
13
2
5
8
11
0
3
6
9
12
1
4
7
5
8
11
0
3
6
9
12
1
4
7
10
13
2
5
8
11
0
3
6
2
5
8
11
0
3
6
9
12
1
4
7
10
13
2
5
8
10
13
2
5
8
11
0
3
6
9
12
1
4
7
7
10
13
2
5
8
11
0
3
6
9
1
4
7
10
13
2
5
8
12
1
4
7
10
6
9
Smate
The smate mapping is most effective if you want to maximise range, although you should still probably expand it from 1L 1s to 2L 1s to make chords easier to play, as 11 octaves is still beyond the range of human hearing.
11
2
1
6
11
2
7
0
5
10
1
6
11
2
7
4
9
0
5
10
1
6
11
2
7
12
3
8
13
4
9
0
5
10
1
6
11
2
7
12
7
12
3
8
13
4
9
0
5
10
1
6
11
2
7
12
3
6
11
2
7
12
3
8
13
4
9
0
5
10
1
6
11
2
7
12
3
10
1
6
11
2
7
12
3
8
13
4
9
0
5
10
1
6
11
2
7
12
3
8
9
0
5
10
1
6
11
2
7
12
3
8
13
4
9
0
5
10
1
6
11
2
7
12
3
8
4
9
0
5
10
1
6
11
2
7
12
3
8
13
4
9
0
5
10
1
6
11
2
7
12
3
8
13
4
9
0
5
10
1
6
11
2
7
12
3
8
13
4
9
0
5
10
1
6
11
2
7
12
3
9
0
5
10
1
6
11
2
7
12
3
8
13
4
9
0
5
10
1
6
11
2
7
9
0
5
10
1
6
11
2
7
12
3
8
13
4
9
0
5
10
1
6
0
5
10
1
6
11
2
7
12
3
8
13
4
9
0
5
10
0
5
10
1
6
11
2
7
12
3
8
13
4
9
5
10
1
6
11
2
7
12
3
8
13
5
10
1
6
11
2
7
12
10
1
6
11
2
10
1