30afdo: Difference between revisions
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CompactStar (talk | contribs) Created page with "WIP {{Infobox ADO|steps=30}} '''30ado''' is the arithmetic equal division of the octave into thirty parts of 1/30 each. Due to 30 being 2*3*5, this ADO contains most c..." |
→Scales: Same changes with same reasoning as made to 8afdo today |
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{{Infobox AFDO|steps=30}} | |||
{{Infobox | |||
''' | '''30afdo''' ([[AFDO|arithmetic frequency division of the octave]]), or '''30odo''' ([[otonal division]] of the octave), divides the octave into thirty parts of 1/30 each. It is a superset of [[29afdo]] and a subset of [[31afdo]]. As a scale it may be known as [[Harmonic mode|mode 30 of the harmonic series]] or the [[Overtone scale #Over-n scales|Over-30]] scale. Since 30 factors into primes as {{nowrap| 2 × 3 × 5 }}, this afdo contains many common [[5-limit]] intervals above its root and is extremely useful for common tonal harmony. | ||
== Intervals == | == Intervals == | ||
| Line 18: | Line 18: | ||
| perfect unison | | perfect unison | ||
| | | | ||
|- | |||
| 1 | |||
| 56.2 | |||
| [[31/30]] | |||
| 1.0333 | |||
| large tricesimoprimal quartertone | |||
| [[File:Ji-31-30-csound-foscil-220hz.mp3]] | |||
|- | |||
| 2 | |||
| 111.7 | |||
| [[16/15]] | |||
| 1.0667 | |||
| classic diatonic semitone | |||
| [[File:Jid_16_15_pluck_adu_dr220.mp3]] | |||
|- | |||
| 3 | |||
| 165.0 | |||
| [[11/10]] | |||
| 1.1000 | |||
| undecimal submajor second | |||
| [[File:Jid_11_10_pluck_adu_dr220.mp3]] | |||
|- | |||
| 4 | |||
| 216.7 | |||
| [[17/15]] | |||
| 1.1333 | |||
| septendecimal whole tone | |||
| [[File:Jid_17_15_pluck_adu_dr220.mp3]] | |||
|- | |- | ||
| 5 | | 5 | ||
| Line 25: | Line 53: | ||
| subminor third | | subminor third | ||
| [[File:Jid_7_6_pluck_adu_dr220.mp3]] | | [[File:Jid_7_6_pluck_adu_dr220.mp3]] | ||
|- | |||
| 6 | |||
| 315.6 | |||
| [[6/5]] | |||
| 1.2000 | |||
| just minor third | |||
| [[File:Jid_6_5_pluck_adu_dr220.mp3]] | |||
|- | |||
| 7 | |||
| 363.1 | |||
| 37/30 | |||
| 1.2333 | |||
| trigintaseptimal submajor third | |||
| | |||
|- | |||
| 8 | |||
| 409.2 | |||
| [[19/15]] | |||
| 1.2667 | |||
| Eratosthenes' major third | |||
| [[File:Jid_19_15_pluck_adu_dr220.mp3]] | |||
|- | |||
| 9 | |||
| 454.2 | |||
| [[13/10]] | |||
| 1.3000 | |||
| tridecimal semisixth | |||
| [[File:Jid_13_10_pluck_adu_dr220.mp3]] | |||
|- | |- | ||
| 10 | | 10 | ||
| Line 32: | Line 88: | ||
| just perfect fourth | | just perfect fourth | ||
| [[File:Jid_4_3_pluck_adu_dr220.mp3]] | | [[File:Jid_4_3_pluck_adu_dr220.mp3]] | ||
|- | |||
| 11 | |||
| 540.8 | |||
| 41/30 | |||
| 1.3667 | |||
| quadragesimaunal superfourth | |||
| | |||
|- | |||
| 12 | |||
| 582.5 | |||
| [[7/5]] | |||
| 1.4000 | |||
| small septimal tritone | |||
| [[File:Jid_7_5_pluck_adu_dr220.mp3]] | |||
|- | |||
| 13 | |||
| 623.25 | |||
| 43/30 | |||
| 1.4333 | |||
| large quadragintatertial tritone | |||
| | |||
|- | |||
| 14 | |||
| 663.05 | |||
| [[22/15]] | |||
| 1.4667 | |||
| undecimal diminished fifth | |||
| [[File:Jid_22_15_pluck_adu_dr220.mp3]] | |||
|- | |- | ||
| 15 | | 15 | ||
| Line 39: | Line 123: | ||
| just perfect fifth | | just perfect fifth | ||
| [[File:Jid_3_2_pluck_adu_dr220.mp3]] | | [[File:Jid_3_2_pluck_adu_dr220.mp3]] | ||
|- | |||
| 16 | |||
| 740.0 | |||
| [[23/15]] | |||
| 1.5333 | |||
| vicesimotertial ultraminor sixth | |||
| [[File:Jid_23_15_pluck_adu_dr220.mp3]] | |||
|- | |||
| 17 | |||
| 777.2 | |||
| 47/30 | |||
| 1.5667 | |||
| quadragintaseptimal subminor sixth | |||
| | |||
|- | |||
| 18 | |||
| 813.7 | |||
| 8/5 | |||
| 1.6000 | |||
| just minor sixth | |||
| [[File:Jid_8_5_pluck_adu_dr220.mp3]] | |||
|- | |||
| 19 | |||
| 849.4 | |||
| 49/30 | |||
| 1.6333 | |||
| septimal neutral sixth | |||
| | |||
|- | |- | ||
| 20 | | 20 | ||
| Line 44: | Line 156: | ||
| [[5/3]] | | [[5/3]] | ||
| 1.6667 | | 1.6667 | ||
| just | | just major sixth | ||
| [[File:Jid_5_3_pluck_adu_dr220.mp3]] | | [[File:Jid_5_3_pluck_adu_dr220.mp3]] | ||
|- | |||
| 21 | |||
| 918.6 | |||
| [[17/10]] | |||
| 1.7000 | |||
| septendecimal major sixth | |||
| [[File:Jid_17_10_pluck_adu_dr220.mp3]] | |||
|- | |||
| 22 | |||
| 952.3 | |||
| [[26/15]] | |||
| 1.7333 | |||
| tridecimal semitwelfth | |||
| [[File:Jid_26_15_pluck_adu_dr220.mp3]] | |||
|- | |||
| 23 | |||
| 985.2 | |||
| 53/30 | |||
| 1.7667 | |||
| quinquagintatertial minor seventh | |||
| | |||
|- | |||
| 24 | |||
| 1017.6 | |||
| [[9/5]] | |||
| 1.8000 | |||
| just minor seventh | |||
| [[File:Jid_9_5_pluck_adu_dr220.mp3]] | |||
|- | |- | ||
| 25 | | 25 | ||
| Line 53: | Line 193: | ||
| undecimal neutral seventh | | undecimal neutral seventh | ||
| [[File:Jid_11_6_pluck_adu_dr220.mp3]] | | [[File:Jid_11_6_pluck_adu_dr220.mp3]] | ||
|- | |||
| 26 | |||
| 1080.6 | |||
| [[28/15]] | |||
| 1.8667 | |||
| septimal grave major seventh | |||
| [[File:Jid_28_15_pluck_adu_dr220.mp3]] | |||
|- | |||
| 27 | |||
| 1111.2 | |||
| [[19/10]] | |||
| 1.9000 | |||
| Eratosthenes' major seventh | |||
| [[File:Jid_19_10_pluck_adu_dr220.mp3]] | |||
|- | |||
| 28 | |||
| 1141.3 | |||
| 29/15 | |||
| 1.9333 | |||
| undetricesimal supermajor seventh | |||
| | |||
|- | |||
| 29 | |||
| 1170.9 | |||
| 59/30 | |||
| 1.9667 | |||
| undexsexagesimal suboctave | |||
| | |||
|- | |- | ||
| 30 | | 30 | ||
| Line 62: | Line 230: | ||
|} | |} | ||
== Scales == | |||
[[ | * 30:35:40:45:47:60 Mushroom{{idiosyncratic}} | ||
* 30:32:35:40:44:47:54:60 [[James Wyness]]' "Kai Udan Arum [[pelog]]" | |||
* 30:32:34:36:37:40:41:45:48:50:52:54:56:60 ''loose approximation of [[fluid just intonation]]'' | |||
Latest revision as of 02:30, 14 April 2026
30afdo (arithmetic frequency division of the octave), or 30odo (otonal division of the octave), divides the octave into thirty parts of 1/30 each. It is a superset of 29afdo and a subset of 31afdo. As a scale it may be known as mode 30 of the harmonic series or the Over-30 scale. Since 30 factors into primes as 2 × 3 × 5, this afdo contains many common 5-limit intervals above its root and is extremely useful for common tonal harmony.
Intervals
| # | Cents | Ratio | Decimal | Interval name | Audio |
|---|---|---|---|---|---|
| 0 | 0 | 1/1 | 1.000 | perfect unison | |
| 1 | 56.2 | 31/30 | 1.0333 | large tricesimoprimal quartertone | |
| 2 | 111.7 | 16/15 | 1.0667 | classic diatonic semitone | |
| 3 | 165.0 | 11/10 | 1.1000 | undecimal submajor second | |
| 4 | 216.7 | 17/15 | 1.1333 | septendecimal whole tone | |
| 5 | 266.9 | 7/6 | 1.1667 | subminor third | |
| 6 | 315.6 | 6/5 | 1.2000 | just minor third | |
| 7 | 363.1 | 37/30 | 1.2333 | trigintaseptimal submajor third | |
| 8 | 409.2 | 19/15 | 1.2667 | Eratosthenes' major third | |
| 9 | 454.2 | 13/10 | 1.3000 | tridecimal semisixth | |
| 10 | 498.0 | 4/3 | 1.3333 | just perfect fourth | |
| 11 | 540.8 | 41/30 | 1.3667 | quadragesimaunal superfourth | |
| 12 | 582.5 | 7/5 | 1.4000 | small septimal tritone | |
| 13 | 623.25 | 43/30 | 1.4333 | large quadragintatertial tritone | |
| 14 | 663.05 | 22/15 | 1.4667 | undecimal diminished fifth | |
| 15 | 702.0 | 3/2 | 1.5000 | just perfect fifth | |
| 16 | 740.0 | 23/15 | 1.5333 | vicesimotertial ultraminor sixth | File:Jid 23 15 pluck adu dr220.mp3 |
| 17 | 777.2 | 47/30 | 1.5667 | quadragintaseptimal subminor sixth | |
| 18 | 813.7 | 8/5 | 1.6000 | just minor sixth | |
| 19 | 849.4 | 49/30 | 1.6333 | septimal neutral sixth | |
| 20 | 884.5 | 5/3 | 1.6667 | just major sixth | |
| 21 | 918.6 | 17/10 | 1.7000 | septendecimal major sixth | |
| 22 | 952.3 | 26/15 | 1.7333 | tridecimal semitwelfth | |
| 23 | 985.2 | 53/30 | 1.7667 | quinquagintatertial minor seventh | |
| 24 | 1017.6 | 9/5 | 1.8000 | just minor seventh | |
| 25 | 1049.4 | 11/6 | 1.8333 | undecimal neutral seventh | |
| 26 | 1080.6 | 28/15 | 1.8667 | septimal grave major seventh | |
| 27 | 1111.2 | 19/10 | 1.9000 | Eratosthenes' major seventh | |
| 28 | 1141.3 | 29/15 | 1.9333 | undetricesimal supermajor seventh | |
| 29 | 1170.9 | 59/30 | 1.9667 | undexsexagesimal suboctave | |
| 30 | 1200.0 | 2/1 | 2.0000 | perfect octave |
Scales
- 30:35:40:45:47:60 Mushroom[idiosyncratic term]
- 30:32:35:40:44:47:54:60 James Wyness' "Kai Udan Arum pelog"
- 30:32:34:36:37:40:41:45:48:50:52:54:56:60 loose approximation of fluid just intonation