Halftone: Difference between revisions
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[[File:halftone6.wav|thumb|Halftone[6] example in 16edf and 4<nowiki>|</nowiki>1 mode]] | |||
If tone clusters with intervals of supraminor seconds or less are ignored, the most fundamental 3/2.5/2.7/2 chord that is narrower than a perfect fifth is 45:50:63 (1-[[10/9]]-[[7/5]]), essentially a diminished triad with a major second instead of a minor third. There is also a more "major-sounding" counterpart of it 50:63:70 (1-[[63/50]]-[[7/5 | '''Halftone''' is a [[nonoctave]] (fifth-repeating) [[regular temperament]] in the 3/2.5/2.7/2 fractional subgroup that tempers out 9604/9375 and has a generator of a flat [[7/5]] of around 570-580 cents. It could be used as a harmonic basis for "1/2 prime" (3/2.5/2.7/2.11/2.13/2 etc.) systems with the equivalence as [[3/2]], similar to [[meantone]] for full prime-limit systems with the equivalence as [[2/1]] and [[BPS]] for no-twos systems with the equivalence as [[3/1]]. Halftone temperament can be extended to the 11-limit (3/2.5/2.7/2.11/2) by additionally tempering out 1232/1215, the difference between [[15/14]] and [[88/81]] (the fifth-reduction of 11/2). Small [[EDF]]s that [[support]] halftone include [[5edf]], [[6edf]], [[11edf]], [[16edf]], [[21edf]], and [[27edf]]. | ||
If tone clusters with intervals of supraminor seconds or less are ignored, the most fundamental 3/2.5/2.7/2 chord that is narrower than a perfect fifth is 45:50:63 (1-[[10/9]]-[[7/5]]), essentially a diminished triad with a major second instead of a minor third. There is also a more "major-sounding" counterpart of it 50:63:70 (1-[[63/50]]-[[7/5]]), a diminished triad with a major third instead of a minor third. These chords generally sound more consonant than a standard diminished triad but far less than a standard major or minor triad. Both of these are well approximated in halftone because it equates 4 [[7/5]] generators with [[10/9]]. | |||
For technical data, see [[Subgroup temperaments#Halftone]]. | |||
== Interval chain == | == Interval chain == | ||
== | {|class="wikitable" | ||
|- | |||
| 53.040 | |||
| 182.823 | |||
| 312.606 | |||
| 442.389 | |||
| 572.172 | |||
| 0 | |||
| 129.783 | |||
| 259.566 | |||
| 389.349 | |||
| 519.132 | |||
| 648.915 | |||
|- | |||
| [[28/27]] | |||
| [[10/9]] | |||
| [[25/21]] | |||
| 125/98~98/75 | |||
| [[7/5]] | |||
| [[1/1]] | |||
| [[15/14]] | |||
| 225/196~147/125 | |||
| [[63/50]] | |||
| [[27/20]] | |||
| 81/56 | |||
|} | |||
== MOS scales == | |||
Halftone possesses MOS scales with 4 ([[1L 3s (3/2-equivalent)|1L 3s⟨3/2⟩]] or "neptunian"), 5 ([[1L 4s (3/2-equivalent)|1L 4s⟨3/2⟩]]), 6 ([[5L 1s (3/2-equivalent)|5L 1s⟨3/2⟩]]) and 11 ([[5L 6s (3/2-equivalent)|5L 6s⟨3/2⟩]]/[[6L 5s (3/2-equivalent)|6L 5s⟨3/2⟩]]) notes. The tetratonic scale is usable, but the tempered 10/9 is not present in it, so the pentatonic and hexatonic scales are the smallest options for halftone. | |||
[[Category:Halftone| ]] <!-- main article --> | |||
[[Category:Rank-2 temperaments]] | |||
[[Category:Non-octave temperaments]] |
Latest revision as of 09:23, 29 April 2025
Halftone is a nonoctave (fifth-repeating) regular temperament in the 3/2.5/2.7/2 fractional subgroup that tempers out 9604/9375 and has a generator of a flat 7/5 of around 570-580 cents. It could be used as a harmonic basis for "1/2 prime" (3/2.5/2.7/2.11/2.13/2 etc.) systems with the equivalence as 3/2, similar to meantone for full prime-limit systems with the equivalence as 2/1 and BPS for no-twos systems with the equivalence as 3/1. Halftone temperament can be extended to the 11-limit (3/2.5/2.7/2.11/2) by additionally tempering out 1232/1215, the difference between 15/14 and 88/81 (the fifth-reduction of 11/2). Small EDFs that support halftone include 5edf, 6edf, 11edf, 16edf, 21edf, and 27edf.
If tone clusters with intervals of supraminor seconds or less are ignored, the most fundamental 3/2.5/2.7/2 chord that is narrower than a perfect fifth is 45:50:63 (1-10/9-7/5), essentially a diminished triad with a major second instead of a minor third. There is also a more "major-sounding" counterpart of it 50:63:70 (1-63/50-7/5), a diminished triad with a major third instead of a minor third. These chords generally sound more consonant than a standard diminished triad but far less than a standard major or minor triad. Both of these are well approximated in halftone because it equates 4 7/5 generators with 10/9.
For technical data, see Subgroup temperaments#Halftone.
Interval chain
53.040 | 182.823 | 312.606 | 442.389 | 572.172 | 0 | 129.783 | 259.566 | 389.349 | 519.132 | 648.915 |
28/27 | 10/9 | 25/21 | 125/98~98/75 | 7/5 | 1/1 | 15/14 | 225/196~147/125 | 63/50 | 27/20 | 81/56 |
MOS scales
Halftone possesses MOS scales with 4 (1L 3s⟨3/2⟩ or "neptunian"), 5 (1L 4s⟨3/2⟩), 6 (5L 1s⟨3/2⟩) and 11 (5L 6s⟨3/2⟩/6L 5s⟨3/2⟩) notes. The tetratonic scale is usable, but the tempered 10/9 is not present in it, so the pentatonic and hexatonic scales are the smallest options for halftone.