Orwell/Eliora's Approach: Difference between revisions

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This page covers [[Eliora]]'s approach to the [[orwell]] temperament
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This page covers [[Eliora]]'s approach to the [[orwell]] temperament.


== Modified Orwell variants ==
== Modified orwell variants ==
There are several modified Orwell variants.
There are several modified orwell variants.


=== [[Maqam]] based approach ===
=== Maqam-inspired approach ===
==== 13-note orwell ====
One of the ways Eliora plays orwell is by treating each generator as a [[jins]] - a basic note progression of [[Arabic, Turkish, Persian music|Arabic music]].


==== 13-note Orwell ====
An example of this is the Arabic Naive Orwell scale in [[91edo]], which is found in [[Mercury Amalgam]]'s track Sadness - Nope. The naive scale makes use of Orwell[13] tempered to [[13edo]], and intermediate notes manipulated by steps of 91edo to create a [[scale]].
One of the ways Eliora plays orwell is by treating each generator as a jins (plural: ajnas) - a basic note progression of [[Arabic, Turkish, Persian|Arabic]] music.


An example of this is the Arabic Naive Orwell scale in [[91edo]], which is found in [[Mercury Amalgam]]'s track Sadness - Nope. The naive scale makes use of Orwell[13] tempered to [[13edo]], and intermediate notes manipulated by steps of 91edo to create a [[scale]].
{| class="wikitable"
{| class="wikitable"
|+Arabic Naive Orwell as used in Sadness - Nope
|+ style="font-size: 105%;" | Arabic Naive Orwell as used in Sadness - Nope
|0
|-
|1
! colspan="3" | Jins Eurasia
|12
! colspan="3" | Jins Oceania
|21
! colspan="3" | Jins Eastasia
|26
! colspan="5" | Jins Big Brother
|27
|42
|49
|54
|63
|70
|71
|82
|91
|-
|-
| colspan="3" |Jins Eurasia
| 0
| colspan="3" |Jins Oceania
| 1
| colspan="3" |Jins Eastasia
| 12
| colspan="5" |Jins Big Brother
| 21
| 26
| 27
| 42
| 49
| 54
| 63
| 70
| 71
| 82
| 91
|}
|}
In this paradigm also, the last note of each ajnas is the first one of the second adjnas, so:
In this paradigm also, the last note of each ajnas is the first one of the second adjnas, so:


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The conventional ending uses [[4L 1s]] approach - maqam is stacked 4 times which produces 12 notes, and 13th note closes the octave.
The conventional ending uses [[4L 1s]] approach - maqam is stacked 4 times which produces 12 notes, and 13th note closes the octave.
{| class="wikitable"
{| class="wikitable"
|+
!
!Jins pattern
!44edo
|-
|-
|''Original scale''
! Scale
| -
! Jins pattern
|0-4-8-10-14-18-20-24-28-30-34-38-40-44
! 44edo
|-
|-
|Maqam Eurasia
| ''Original scale''
|Hijaz
| —
|0-2-8-10-12-18-20-22-28-30-32-38-40-44
| 0-4-8-10-14-18-20-24-28-30-34-38-40-44
|-
|-
|Maqam Oceania
| Maqam Eurasia
|Bayati
| Hijaz
|0-3-6-10-13-16-20-23-26-30-33-36-40-44
| 0-2-8-10-12-18-20-22-28-30-32-38-40-44
|-
|-
|Maqam Eastasia
| Maqam Oceania
|Rast
| Bayati
|0-4-7-10-14-17-20-24-27-30-34-37-40-44
| 0-3-6-10-13-16-20-23-26-30-33-36-40-44
|-
| Maqam Eastasia
| Rast
| 0-4-7-10-14-17-20-24-27-30-34-37-40-44
|}
|}
[[Category:Orwell]]
[[Category:Orwell]]
[[Category:Method]]
[[Category:Method]]
[[Category:Approaches to tuning systems]]