72:90:100:125: Difference between revisions
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remove redundant “5-limit” mentions. all meantones temper this chord in the 5-limit, and the fact that it is a 5-limit chord is now included in the infobox. |
add color name |
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{{Infobox Chord}} | {{Infobox Chord|ColorName=yo triyo-6 yoyopo-5 or y,y<sup>3</sup>6(yyp5)}} | ||
'''72:90:100:125''' is a possible interpretation of the meantone [[French sixth chord]]. | '''72:90:100:125''' is a possible interpretation of the meantone [[French sixth chord]]. Its [[Chord homonym|homonym]], [[100:125:144:180]], is a [[dominant seventh flat five chord]]. | ||
In [[meantone]], this chord is tempered to be equivalent to a tempered [[128:160:180:225]]. | In [[meantone]], this chord is tempered to be equivalent to a tempered [[128:160:180:225]]. | ||
Latest revision as of 19:03, 24 September 2024
| Chord information |
72:90:100:125 is a possible interpretation of the meantone French sixth chord. Its homonym, 100:125:144:180, is a dominant seventh flat five chord.
In meantone, this chord is tempered to be equivalent to a tempered 128:160:180:225.
In septimal meantone, it is tempered to be equivalent to 20:25:28:35.