72:90:100:125
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| Harmonics | 72:90:100:125 |
| Subharmonics | 1/(125:100:90:72) |
| Intervals from root | 1/1 – 5/4 – 25/18 – 125/72 |
| Cents from root | 0¢ 386¢ 569¢ 955¢ |
| Step intervals | 5/4, 10/9, 5/4 |
| Step cents | 386¢, 182¢, 386¢ |
| Color name | yo triyo-6 yoyopo-5 or y,y36(yyp5) |
| Prime limit | 5 |
| Genus | 32 ⋅ 53 (1125) |
| Intervallic odd limit | 125 |
| Otonal odd limit | 125 |
| Utonal odd limit | 125 |
72:90:100:125 is a possible interpretation of the meantone French sixth chord. Its homonym, 100:125:144:180, is a dominant seventh flat five chord.
In meantone, this chord is tempered to be equivalent to a tempered 128:160:180:225.
In septimal meantone, it is tempered to be equivalent to 20:25:28:35.