7L 2s
↖ 6L 1s | ↑ 7L 1s | 8L 1s ↗ |
← 6L 2s | 7L 2s | 8L 2s → |
↙ 6L 3s | ↓ 7L 3s | 8L 3s ↘ |
┌╥╥╥╥┬╥╥╥┬┐ │║║║║│║║║││ │││││││││││ └┴┴┴┴┴┴┴┴┴┘
sLLLsLLLL
7L 2s, mavila superdiatonic or superdiatonic refers to the structure of octave-equivalent MOS scales with generators ranging from 4\7 (four degrees of 7edo = 685.71¢) to 5\9 (five degrees of 9edo = 666.67¢). In the case of 9edo, L and s are the same size; in the case of 7edo, s becomes so small it disappears (and all that remains are the seven equal L's).
From a regular temperament perspective (i.e. approximating low JI intervals), this MOS pattern is essentially synonymous to mavila. If you're looking for highly accurate scales (that is, ones that approximate low JI closely), there are much better scale patterns to look at. However, if 678 cents is an acceptable 3/2 to you, then mavila is an important harmonic entropy minimum here. So a general name for this MOS pattern could be "mavila superdiatonic" or simply 'Superdiatonic'.
These scales are strongly associated with mavila system, which can be divided into two systems:
Some high JI approximations of the generator: 31/21, 34/23, 65/44, 71/48, 99/67, 105/71, 108/73, 133/90, 145/98, 176/119, 250/169. These could be used to guide the construction of neji versions of superdiatonic scales or edos.
Generator | Generator size (cents) | Pentachord steps | Comments | ||
---|---|---|---|---|---|
4\7 | 685.714 | 1 1 1 0 | |||
102\179 | 683.798 | 25 25 25 2 | Approximately 0.03 cents away from 95/64 | ||
33\58 | 682.758 | 8 8 8 1 | 2 generators equal 11/10, 6 equal 4/3, creating a hybrid Mavila/Porcupine scale with three perfect 5ths as well as the flat ones. | ||
21\37 | 681.081 | 5 5 5 1 | |||
17\30 | 680 | 4 4 4 1 | L/s = 4 | ||
30\53 | 679.245 | 7 7 7 2 | |||
43\76 | 678.947 | 10 10 10 3 | |||
56\99 | 678.788 | 13 13 13 4 | |||
69\122 | 678.6885 | 16 16 16 5 | |||
82\145 | 678.621 | 19 19 19 6 | |||
95\168 | 678.571 | 22 22 22 7 | |||
108\191 | 678.534 | 25 25 25 8 | |||
121\214 | 678.505 | 28 28 28 9 | 28;9 Superdiatonic 1/28-tone (a slight exceeded representation of the ratio 262144/177147, the Pythagorean wolf Fifth) | ||
134\237 | 678.481 | 31 31 31 10 | HORNBOSTEL TEMPERAMENT (1/31-tone; Optimum high size of Hornbostel '6th') | ||
13\23 | 678.261 | 3 3 3 1 | HORNBOSTEL TEMPERAMENT (Armodue 1/3-tone) | ||
126\223 | 678.027 | 29 29 29 10 | HORNBOSTEL TEMPERAMENT
(Armodue 1/29-tone) | ||
113\200 | 678 | 26 26 26 9 | HORNBOSTEL (& OGOLEVETS) TEMPERAMENT (Armodue 1/26-tone; Best equillibrium between 6/5, Phi (833.1 Cent) and Square root of Pi (990.9 Cent), the notes '3', '7' & '8') | ||
100\177 | 677.966 | 23 23 23 8 | |||
87\154 | 677.922 | 20 20 20 7 | |||
74\131 | 677.863 | 17 17 17 6 | Armodue-Hornbostel 1/17-tone (the Golden Tone System of Thorvald Kornerup and a temperament of the Alexei Ogolevets's list of temperaments) | ||
61\108 | 677.778 | 14 14 14 5 | Armodue-Hornbostel 1/14-tone | ||
109\193 | 677.720 | 25 25 25 9 | Armodue-Hornbostel 1/25-tone | ||
48\85 | 677.647 | 11 11 11 4 | Armodue-Hornbostel 1/11-tone (Optimum accuracy of Phi interval, the note '7') | ||
35\62 | 677.419 | 8 8 8 3 | Armodue-Hornbostel 1/8-tone | ||
92\163 | 677.301 | 21 21 21 8 | 21;8 Superdiatonic 1/21-tone | ||
677.28 | φ+1 φ+1 φ+1 1 | Split φ superdiatonic relation (34;13 - 55;21 - 89;34 - 144;55 - 233;89 - 377;144 - 610;233..) | |||
57\101 | 677.228 | 13 13 13 5 | 13;5 Superdiatonic 1/13-tone | ||
22\39 | 676.923 | 5 5 5 2 | Armodue-Hornbostel 1/5-tone (Optimum low size of Hornbostel '6th') | ||
75\133 | 676.692 | 17 17 17 7 | 17;7 Superdiatonic 1/17-tone (Note the very accuracy of the step 75 with the ratio 34/23 with an error of +0.011 Cents) | ||
53\94 | 676.596 | 12 12 12 5 | |||
31\55 | 676.364 | 7 7 7 3 | 7;3 Superdiatonic 1/7-tone | ||
40\71 | 676.056 | 9 9 9 4 | 9;4 Superdiatonic 1/9-tone | ||
49\87 | 675.862 | 11 11 11 5 | 11;5 Superdiatonic 1/11-tone | ||
58\103 | 675.728 | 13 13 13 6 | 13;6 Superdiatonic 1/13-tone | ||
9\16 | 675 | 2 2 2 1 | [BOUNDARY OF PROPRIETY: smaller generators are strictly proper]ARMODUE ESADECAFONIA (or Goldsmith Temperament) | ||
59\105 | 674.286 | 13 13 13 7 | Armodue-Mavila 1/13-tone | ||
50\89 | 674.157 | 11 11 11 6 | Armodue-Mavila 1/11-tone | ||
41\73 | 673.973 | 9 9 9 5 | Armodue-Mavila 1/9-tone (with an approximation of the Perfect Fifth + 1/5 Pyth.Comma [706.65 Cents]: 43\73 is 706.85 Cents) | ||
32\57 | 673.684 | 7 7 7 4 | Armodue-Mavila 1/7-tone (the 'Commatic' version of Armodue, because its high accuracy of the 7/4 interval, the note '8') | ||
55\98 | 673.469 | 12 12 12 7 | |||
78\139 | 673.381 | 17 17 17 10 | Armodue-Mavila 1/17-tone | ||
101\180 | 673.333 | 22 22 22 13 | |||
23\41 | 673.171 | 5 5 5 3 | 5;3 Golden Armodue-Mavila 1/5-tone | ||
60\107 | 672.897 | 13 13 13 8 | 13;8 Golden Mavila 1/13-tone | ||
672.85 | φ φ φ 1 | GOLDEN Mavila (L/s = φ) | |||
97\173 | 672.832 | 21 21 21 13 | 21;13 Golden Mavila 1/21-tone (Phi is the step 120\173) | ||
37\66 | 672.727 | 8 8 8 5 | 8;5 Golden Mavila 1/8-tone | ||
51\91 | 672.527 | 11 11 11 7 | 11;7 Superdiatonic 1/11-tone | ||
116\207 | 672.464 | 25 25 25 16 | 25;16 Superdiatonic 1/25-tone | ||
65\116 | 672.414 | 14 14 14 9 | 14;9 Superdiatonic 1/14-tone | ||
79\141 | 672.340 | 17 17 17 11 | 17;11 Superdiatonic 1/17-tone | ||
93\166 | 672.289 | 20 20 20 13 | |||
107\191 | 672.251 | 23 23 23 15 | |||
121\216 | 672.222 | 26 26 26 17 | 26;17 Superdiatonic 1/26-tone | ||
135\241 | 672.199 | 29 29 29 19 | 29;19 Superdiatonic 1/29-tone | ||
14\25 | 672 | 3 3 3 2 | 3;2 Golden Armodue-Mavila 1/3-tone | ||
145\259 | 671.815 | 31 31 31 21 | 31;21 Superdiatonic 1/31-tone | ||
131\234 | 671.795 | 28 28 28 19 | 28;19 Superdiatonic 1/28-tone | ||
117\209 | 671.770 | 25 25 25 17 | |||
103\184 | 671.739 | 22 22 22 15 | |||
89\159 | 671.698 | 19 19 19 13 | |||
75\134 | 671.642 | 16 16 16 11 | |||
61\109 | 671.560 | 13 13 13 9 | |||
47\84 | 671.429 | 10 10 10 7 | |||
33\59 | 671.186 | 7 7 7 5 | |||
19\34 | 670.588 | 4 4 4 3 | |||
24\43 | 669.767 | 5 5 5 4 | |||
5\9 | 666.667 | 1 1 1 1 |
Primodal theory
Neji versions of superdiatonic modes
- 40:48:52:54:59:64:70:77:80 Pental Superionian