User:Mousemambo/Document draft
| Please use this page's Discussion page for comments and suggestions. Or you can join the discussion in the #wiki channel of the Xenharmonic Alliance's Discord server. This developing page was initially just an outline, and I have been expanding it into a proper page. I am using square brackets to enclose editing notes to myself, which will eventually all be removed. |
| This page is a detailed thinking-out-loud sketch of what a guide might look like for detailing how to use Surge XT set to alternative (non-12-EDO) tunings in Reaper. It might become a (retitled) main-area Xen wiki page. It might become part of a larger document also describing how other popular but less full-featured synths or samplers can be used for microtonal music in Reaper. It might become part of a larger document also describing how Surge XT can be used for microtonal music in other DAWs. ALERT: I am currently exploring the option of expanding it just a bit to incorporate another synth or two that has to be used differently than Surge XT, but some sections still include older text that presumes the article is just about Surge XT and Reaper. |
DRAFT ==== Proposed page title: Guide to tuning a software synth in a DAW ==== DRAFT
This guide describes some common methods for making music set in microtonal or other alternative tuning systems, by using a software synthesizer running inside a digital audio workstation (DAW). It describes scenarios in which each of those methods are effective, and procedures for configuring the software using that method. The examples given will use the Surge XT synth running inside the Reaper DAW, but similar procedures and reasoning will apply to other synths and DAWs. Therefore this guide will go into some detail to help give you the understanding needed to use these tuning methods with other synth-DAW combinations.
- Just want to start making music set in a non-standard tuning in your DAW? You can skip to the procedure in "Set a tuning using a Scala tuning file and keyboard mapping file."
- Don't want to use a DAW? See "Tuning Surge XT without a DAW in standalone mode."
There are many other ways to create music with alternative tuning, like using other software, your voice, or a physical musical instrument. This guide only explores one: a synth in a DAW. Don't know what "alternative tuning" means? Please visit the Xenharmonic wiki's Main page.
Introduction
[TODO: Generalize this paragraph.] There are several methods possible for using the Surge XT synth within the Reaper DAW to create music set in microtonal or other uncommon tuning systems. Which configuration method you choose will depend on the larger context in which you're working and your specific needs, which will be explored below. Surge XT is a free but powerful software synthesizer that has extensive support for alternative tunings. Reaper is a popular and inexpensive DAW that fully supports all of Surge XT's possibilities for using alternative tuning systems. This tutorial was last verified using Surge XT version 1.2.3 and Reaper version 6.80 in August 2023.
You'll find links below to sections of the Xen wiki's "Tuning methods" article [currently just a draft] that will offer you a deeper understanding of the components used here and how they work.
This tutorial's instructions use Surge XT as a synth example, and Reaper as a DAW example, and assume you have them already installed on your computer. They also assume that you know how to create an instrument track in Reaper and load a plugin instrument like Surge XT onto it, but if you don't then instructions can be found below in the Appendix section "Create an instrument track in the Reaper DAW." The instructions also assume you are using a standard piano keyboard (i.e. Halberstadt format) in virtual or physical form, although non-standard keyboards are supported by these instructions.
Methods for setting a tuning
[I need to think further about how I want to name these use cases. I might prefer something that says more about why rather than what or how. But there can be several different "why" use cases for each the configurations named. So I might leave them as they are, call this section "Methods" and have the first section after the title and before "Advantages" be "Scenarios" for describing typical use cases for that method. I might remove the "Method N" prefix, but its useful in this doc to quickly refer people to a method by number rather than writing out the whole name.] [I don't like the "Method 1 Scenarios" style of sub-section heading, nor "Scenarios (Method 1)" or anything other than "Scenarios" -- but then I can't make them link targets because there would be multiple occurrences of a "Scenarios" sub-section heading. Need to ponder more.]
There are many ways to configure a synth like Surge XT to use a non-standard tuning in a DAW like Reaper, named here as "methods." There are advantages and disadvantages to each. There are also other less common methods that might be appropriate for special cases. If none of the scenarios given below describe your own needs, then you may have one of those special cases, and are invited to review the "Tuning methods" article to explore more possibilities and go deeper.
To use this Methods section, you might choose just to read the "Scenarios" section of each method to find something that is close to the actual scenario in which you plan to use Surge XT and Reaper. Then follow the "Procedure" for that method. Or you may want to read all the "Scenarios," "Advantages," and "Disadvantages" of every method to gain a strong understanding of all these possibilities and be prepared for many scenarios.
Method 1: Set a tuning directly in the synth itself
[Briefly: What is the tuning editor? Use Surge's tuning editor to recreate a custom tuning, perhaps using the example of Ptolemy's Intense Diatonic. Scenarios: TBD. Advantages: No additional component complexity. Can be easy for simple tunings you're already familiar with. Disadvantages: Can be time consuming compared to using a tuning file, with an unfamiliar or complex tuning. Needs to be redone for each new instrument instance. Tuning can't be quickly applied to other instruments.]
Method 1 Scenarios
...
Method 1 Advantages
...
Method 1 Disadvantages
...
Method 1 Procedure
...
Method 2: Set a tuning using a Scala tuning file and keyboard mapping file
[Briefly: A tuning file is.... A keyboard mapping file is.... The Scala format tuning files and keyboard mapping files together work to .... If you omit using a keyboard mapping file.... For more about Scala tuning and keyboard mapping files, see the Tuning methods article. Ultimately, there should be articles that are companions to the existing "Anamark tuning file format" page (which almost certainly should be renamed "Anamark tuning file".. the existing page title should redirect to a section of the new page), named "Scala tuning file" and "Scala keyboard mapping file" or a single "Scala tuning system" article might incorporate both those as sections at least initially.]
Method 2 Scenarios
[What circumstances would lead to this being the best (or at least a very good) choice among the methods listed here? The "why that is" would be answered in the next two sections.]
Method 2 Advantages
[Why you would want to use this method.]
Method 2 Disadvantages
[Why you would not want to use this method.]
Method 2 Procedure
- Launch the Reaper application, create a new instrument track in Reaper, and add Surge XT as a plugin on that instrument track. Note: If you are not using a DAW, and using Surge XT in standalone mode instead, replace this step with: Launch the Surge XT standalone application.
- Load a Scala tuning file (.scl) into Surge XT as follows:
- In Surge XT's Menu (found in the bottom right corner) select the Tuning option, then choose "Load .scl tuning..."
- Use the resulting file selection popup to choose one of the [ideally 12-tone for keyboard mapping simplicity] Scala tuning files that come with Surge XT, e.g. [something beginners might have read about and would recognize,] like just intonation's Ptolemy_intense_diatonic.scl or meantone's WerckmeisterIII_equal_beating.scl, or instead choose [something named in condensed code like] ED3-12.scl. {I realize Scala XT at this moment only comes with two tuning files beginners will recognize by name, and one is 12-EDO.]
- [Say something about tuning files and what they do, along with that they use various methods of establishing tunings. I might move this below to the "Method 2 Notes" section.]
- [Say something here about tuning file naming standards/practices, and the extremely terse abbreviations used for some classes of tunings. This really should go in a "Scala tuning files" article or that section of a "Scala tuning system" article.]
- Load a Scala keyboard mapping file (.kbm), for example the "Halberstadt 60-440-69.kbm" file [which *is* international ISO tuning standard]. [Note here that other keyboard layouts are supported by other keyboard mapping files.]
- Note that without a Scala keyboard mapping file (.kbm) also loaded, the resulting tuning may not be what you expect. Surge XT like most synths will assume a default tonic frequency and keyboard mapping that sets the first note specified in the tuning file as MIDI Note C.60 and the reference pitch as international ISO standard pitch (MIDI A.69=440.000Hz). [Or will it? Seems undocumented. In fact, it does not. Default in Surge XT 1.2.3 is a tonic of C.60 and the reference pitch is C.60=261.626Hz, which is close to but not international standard.] However, if for example we are using a just intonation scale and music with a tonic of F (F4, MIDI note 65, 349.23 Hz), we need to use a keyboard mapping file to ensure the tuning is correct.
- Remember that when you load a Scala tuning file you should always load a keyboard mapping file to prevent mistuned surprises. To learn more about how to use Scala tuning and keyboard mapping files, including what to do when your instrument doesn't offer the option to load a keyboard mapping file, see Tuning methods.
- Optionally, if you understand Scala tuning and mapping data, you may wish to open Surge XT's Tuning editor at this time (Menu > Tuning > Open tuning editor...) to confirm the correct data was loaded from the files.
- Optionally, test the tuning to ensure it's correct.
Method 2 Notes
Surge XT also provides a button "Tune" under the label "Status" along the top of its window. If a custom tuning has not yet been added during the current session, clicking the button will reveal the same list of options as Menu > Tuning. If a custom tuning has been loaded, the Tune button will be lit (bright not dark), and clicking it will turn that tuning off (back to the software's default 12-EDO tuning) or back on.
Surge XT doesn't directly support Anamark tuning files (.tun), which are an alternative to using the Scala two-file tuning system, and described in the Appendix.
Method 3: Set a tuning using a tuning plugin
[What is a tuning plugin, also called a re-tuning plugin?]
There is no convincing case for using this tuning method with Surge XT, AFAIK. If you want to set a custom tuning, or load a tuning file, or respond to an MTS-ESP tuning source, you can do all those in Surge XT without any need for an additional plugin to provide those functionalities.
[Rather than provide instructions for using a tuning plugin here, I could instead do that in a different Guide for using a synth that requires it like Vital, which can load a Scala tuning file but not a keyboard mapping file, and supports MPE tuning. If I expand this doc to include another synth, I probably will need to split this Method into 3a ... using MPE, and 3b ... using pitch bend. For more about tuning plugins, see the Tuning methods article.]
Method 3 Scenarios
...
Method 3 Advantages
...
Method 3 Disadvantages
...
Method 3 Procedure
...
Method 4: Set a tuning using MTS-ESP
[Briefly: Add an MTS-ESP tuning source plugin on one track, and Surge XT on another. Load a tuning file into the MTS-ESP source plugin. Set Surge XT to listen to MTS-ESP. Confirm that the MTS-ESP source has connected. Note that, unlike Surge XT, most available electronic instruments at this time (August 2023) don't support MTS-ESP tuning although some do. Note that if I choose to expand by mentioning other synths, I need to say that some of those can be re-tuned by adding a tuning plugin that **does** support MTS-ESP... Method 4a: using a tuning plugin. Other ways to structure this are possible and will be considered.]
Method 4 Scenarios
...
Method 4 Advantages
...
Method 4 Disadvantages
...
Method 4 Procedure
...
How to test the tuning
[Briefly: If you're familiar enough with the tuning to recognize its correctness by ear, play the scale. Otherwise, test the frequency of played notes using the tuner that comes with your DAW, or an external (e.g. phone-based) tuner. This may require using a prepared data sheet or making one using an appropriate utility like Scala or the simpler Scale Workshop. In Reaper do this....]
Appendix
Create an instrument track in the Reaper DAW
[How to create an instrument track in Reaper. And how to use it... load a VST virtual instrument.]
Tuning Surge XT without a DAW in standalone mode
Surge XT can also run in standalone mode, without any DAW. A significant drawback to that configuration is you won't be able to record your playing as MIDI notes, unless you have some additional component doing the recording. The common use cases for running Surge XT in standalone mode are for live performance where you don't want the extra complexity of running a DAW, or when you're just playing casually and don't need to record MIDI. In standalone mode, only Method 1 or Method 2 given above can be used to re-tune Surge XT.
Anamark tuning files
Scala does not support Anamark format (.tun) tuning files, which some other synths do support. However, if you have only an Anamark format tuning file for your tuning, there are several converter tools that can seamlessly use that file to generate a tuning file in Scala format along with a keyboard mapping file if the .tun file includes the needed mapping data. [Do .tun files always include keyboard mapping data?] [Name some good converters and provide links here and below in External links.]
[Briefly, describe why you might or might not prefer to use an Anamark tuning file instead of the Scala two-file re-tuning system.]
See also
External links
- Reaper. A low-cost, powerful and popular DAW with excellent support for microtuning and other xenharmonic tunings.
- Scala. The Swiss army knife of alternative tunings, Scala is a powerful tool but with a steep learning curve. Scala can be used to create custom tuning files.
- Scale Workshop. A very effective tool for creating and analyzing tunings, and creating tuning files for them, Scale Workshop is much simpler to learn and use than Scala. [That doesn't make it intuitively obvious to use, though! I guess there needs to be a page, "How to make a note-frequency chart" of your tuning, for confirming your musical instrument's correctness.]
- Surge XT. A soft synth with outstanding support for non-standard tunings, supporting a variety of tuning methods.
Template:TOC limit [This Wikipedia template doesn't work at Xen wiki. Neither does the
Template:Hiddenh3
type of template.