Harmonics 80–160
| Prime factorization | 24 × 5 |
| Fifth | 120/80 (701.955c) |
The harmonic segment 80::160 (also harmonics 80–160) consists of harmonics 80 through 160 (80:81:…:160) and spans one octave above the root. Used as a scale, it is also called mode 80 of the harmonic series.
As a higher octave of harmonics 5–10, this scale can be used as an over-5 scale in primodality.
Scales
| This article or section contains multiple idiosyncratic terms. Such terms are used by only a few people and are not regularly used within the community.
Terms: Cosmic, Lost Spirit and "sharpened"/"flattened"/"evened" names coined by and so far only used by Budjarn Lambeth. |
Major: 90/80 - 101/80 - 107/80 - 120/80 - 135/80 - 151/80 - 160/80
(approximated: compromise between 12edo's meantone, 91edo's meantone, and 15-integer-limit JI)
Lost spirit: 96/80 - 107/80 - 115/80 - 120/80 - 137/80 - 144/80 - 160/80
(approximated from Meantone in 31edo)
Cosmic: 107/80 - 120/80 - 127/80 - 143/80 - 160/80
(approximated from Harmonics 32–64)
Evened Phryigan Dominant Hexatonic: 85/80 - 100/80 - 107/80 - 121/80 - 142/80 - 160/80
(approximated from Compton in 96edo)
Flattened Blues Aeolian Pentatonic: 94/80 - 106/80 - 119/80 - 126/80 - 160/80
(approximated from Compton in 96edo)
Flattened Blues Minor Maj7: 94/80 - 107/80 - 113/80 - 120/80 - 151/80 - 160/80
(approximated from Compton in 96edo)
Flattened Major: 90/80 - 100/80 - 107/80 - 120/80 - 134/80 - 150/80 - 160/80
(approximated from Compton in 96edo)
Roughened Blues Dorian Pentatonic: 95/80 - 120/80 - 136/80 - 142/80 - 160/80
(approximated from Compton in 96edo)
Sharpened Blues Aeolian Pentatonic: 96/80 - 121/80 - 127/80 - 143/80 - 160/80
(approximated from Compton in 96edo)
Sharpened Blues Dorian Hexatonic: 96/80 - 108/80 - 121/80 - 135/80 - 144/80 - 160/80
(approximated from Compton in 96edo)
Sharpened Blues Harmonic Septatonic: 96/80 - 108/80 - 114/80 - 121/80 - 128/80 - 152/80 - 160/80
(approximated from Compton in 96edo)
Sharpened Dorian Harmonic: 90/80 - 96/80 - 114/80 - 121/80 - 136/80 - 144/80 - 160/80
(approximated from Compton in 96edo)
Sharpened Akebono I: 90/80 - 96/80 - 120/80 - 135/80 - 160/80
(approximated from Compton in 96edo)
Sharpened Minor Blues: 96/80 - 107/80 - 112/80 - 120/80 - 144/80 - 160/80
(approximated from Compton in 96edo)
Sharpened Minor Pentatonic: 96/80 - 107/80 - 120/80 - 144/80 - 160/80
(approximated from Compton in 96edo)
Approximation of Slendric6: 92/80 - 105/80 - 120/80 - 137/80 - 140/80 - 160/80
Music
| View • Talk • EditOvertone scales | |
|---|---|
| Small modes | 2 • 3 • 4 • 5 • 6 • 7 • 8 • 9 • 10 • 11 • 12 • 13 • 14 • 15 • 16 • 17 • 18 • 19 • 20 • 21 • 22 • 23 • 24 |
| Larger modes | 30 • 32 • 36 • 48 • 60 • 128 |
| Families | /2: 2 • 4 • 8 • 16 • 32 • 128 /3: 3 • 6 • 9 • 12 • 15 • 18 • 21 • 24 /5: 5 • 10 • 15 • 20 • 25 • 30 • 35 • 60 • 80 /7: 7 • 14 • 21 • 28 • 35 • 56 /11: 11 • 22 • 33 /13: 13 • 26 |
| Related | Harmonic series • Subharmonic series • Carlos harmonic scale • Ringer scale • Primodality |