5/3: Difference between revisions
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m Removing from Category:Pages with internal sound examples using Cat-a-lot |
m Normalising usage of Infobox Interval |
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{{Infobox Interval | {{Infobox Interval | ||
| Name = classic/just major sixth | | Name = classic/just major sixth | ||
| Color name = y6, yo 6th | | Color name = y6, yo 6th | ||
| Sound = jid_5_3_pluck_adu_dr220.mp3 | | Sound = jid_5_3_pluck_adu_dr220.mp3 | ||
}} | }} | ||
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* [[Gallery of just intervals]] | * [[Gallery of just intervals]] | ||
[[Category:Sixth]] | [[Category:Sixth]] | ||
[[Category:Major sixth]] | [[Category:Major sixth]] | ||
[[Category:Over-3]] | [[Category:Over-3]] | ||
Revision as of 16:06, 25 October 2022
| Interval information |
[sound info]
In 5-limit just intonation, 5/3 is a major sixth of about 884.4¢. It represents the difference between the 5th and 3rd harmonics, and appears in just chords such as 3:4:5 (a 2nd inversion major triad). Its inversion is 6/5, the 5-limit minor third. It differs from the Pythagorean major sixth of 27/16 (about 905.9¢) by the syntonic comma of 81/80 (about 21.5¢). This means that in systems which temper out the syntonic comma, such as 12edo and meantone systems, 5/3 and 27/16 are conflated.
5/3 has a more mellow sound than 27/16, owing to its relative smallness.
Approximation
It is very accurately approximated by 19edo (14\19), and hence the enneadecal temperament.
