Gallery of 12-tone just intonation scales: Difference between revisions

From Xenharmonic Wiki
Jump to navigation Jump to search
Fredg999 (talk | contribs)
m Updated internal link
KingHyperio (talk | contribs)
m fixed link
Line 78: Line 78:
*[[Secor5_23TX|Secor5_23TX]] - George Secor's synchronous 5/23-comma temperament extraordinaire
*[[Secor5_23TX|Secor5_23TX]] - George Secor's synchronous 5/23-comma temperament extraordinaire
*[[serafini-11|serafini-11]] - Serafini's [http://electro-music.com/forum/topic-14631.html 11's chromatic scale], an 11-limit tuning discovered by [[Carlo_Serafini|Carlo Serafini]]
*[[serafini-11|serafini-11]] - Serafini's [http://electro-music.com/forum/topic-14631.html 11's chromatic scale], an 11-limit tuning discovered by [[Carlo_Serafini|Carlo Serafini]]
*[[sevish|sevish]] - Sean "Sevish" Archibald's scale for [http://www.archive.org/download/FNet021/02.Sevish-Trapped_in_a_Cycle.mp3 Trapped in a Cycle]
*[[Sevish (scale)|sevish]] - Sean "Sevish" Archibald's scale for [http://www.archive.org/download/FNet021/02.Sevish-Trapped_in_a_Cycle.mp3 Trapped in a Cycle]
*[[simp12|simp12]] - Stiltner-Vaisvil 12 note 2.3.5.7.13 scale
*[[simp12|simp12]] - Stiltner-Vaisvil 12 note 2.3.5.7.13 scale
**[http://micro.soonlabel.com/just/JI/simpl10plus13.mp3 Simpl10plus13] by Chris Vaisvil
**[http://micro.soonlabel.com/just/JI/simpl10plus13.mp3 Simpl10plus13] by Chris Vaisvil
Line 95: Line 95:
*[[yekta|yekta]] - Rauf Yekta's 12-tone tuning suggested in 1922 Lavignac Music Encyclopedia
*[[yekta|yekta]] - Rauf Yekta's 12-tone tuning suggested in 1922 Lavignac Music Encyclopedia
*[[young-lm_piano|young-lm_piano]]- La Monte Young's scale from "The Well-Tuned Piano"
*[[young-lm_piano|young-lm_piano]]- La Monte Young's scale from "The Well-Tuned Piano"
*[[zeta12|zeta12]] - Margo Schulter's Zeta Centauri tuning, inspired by Kraig Grady's Centaur</li>
*[[zeta12|zeta12]] - Margo Schulter's Zeta Centauri tuning, inspired by Kraig Grady's Centaur


== See also ==
== See also ==

Revision as of 14:43, 13 January 2022

Just Intonation is an infinite universe. A justly-intoned pentatonic can be very effective in the hands of a sensitive composer, and in this electronic age that same composer on another day can use a scale with hundreds of notes in an octave.

One approach to making just intonation not only practical but easy is to map an octave-repeating 12-tone JI scale to a standard keyboard. This page collects some of these scales, and a companion page does the same for tempered scales.

Todo: cleanup

See also