Sharpness: Difference between revisions
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Moved sharpness table from Alternative symbols for ups and downs notation, misc. edits |
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The '''sharpness''' of an | The '''sharpness''' of an [[edo]] is the number of steps it maps the apotome ([[2187/2048]]) to; in other words, it is the difference between seven of its best approximation of [[3/2]] and four octaves. | ||
For example, [[12edo]] maps the apotome to one step; it has a sharpness of 1. We could say it is a sharp-1 | For example, [[12edo]] maps the apotome to one step; it has a sharpness of 1. We could say it is a sharp-1 edo. On the other hand, [[17edo]] maps the apotome to two steps, so it is a sharp-2 edo. | ||
Some | Some edos, such as [[16edo]], have fifths flat enough that the apotome is mapped to a negative number of steps. Since 16edo has the apotome mapped to −1 step, it is a flat-1 edo. | ||
A sharp-0 | A sharp-0 edo is also known as a "perfect edo". | ||
== | == Table == | ||
Below is a table showing the characteristics of each edo up to 72 in the context of traditional fifth-generator heptatonic ups and downs notation. Each row represents the steps of a chromatic semitone. Each column represents the steps of a diatonic semitone (limma, [[256/243]]), located between E–F and B–C. | |||
{| class="wikitable center-all" | |||
|+Sharpness value \ steps of a diatonic semitone | |||
!| | |||
!|-2 | |||
!|-1 | |||
!|0 | |||
!|1 | |||
!|2 | |||
!|3 | |||
!|4 | |||
!|5 | |||
!|6 | |||
!|7 | |||
!|8 | |||
|- | |||
!|-3 | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|6b | |||
| | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
!|-2 | |||
| | |||
| | |||
| | |||
| | |||
|4 | |||
|11 | |||
|18b | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
!|-1 | |||
| | |||
| | |||
| | |||
|2 | |||
|9 | |||
|16 | |||
|23 | |||
|30b | |||
| | |||
| | |||
| | |||
|- | |||
!|0 | |||
| | |||
| | |||
| | |||
|7 | |||
|14 | |||
|21 | |||
|28 | |||
|35 | |||
|42b | |||
| | |||
| | |||
|- | |||
!|1 | |||
| | |||
| | |||
|5 | |||
|12 | |||
|19 | |||
|26 | |||
|33 | |||
|40 | |||
|47 | |||
|54b | |||
| | |||
|- | |||
!|2 | |||
| | |||
|3 | |||
|10 | |||
|17 | |||
|24 | |||
|31 | |||
|38 | |||
|45 | |||
|52 | |||
|59b | |||
| | |||
|- | |||
!|3 | |||
|1 | |||
|8 | |||
|15 | |||
|22 | |||
|29 | |||
|36 | |||
|43 | |||
|50 | |||
|57 | |||
|64 | |||
|71b | |||
|- | |||
!|4 | |||
|6 | |||
|13 | |||
|20 | |||
|27 | |||
|34 | |||
|41 | |||
|48 | |||
|55 | |||
|62 | |||
|69 | |||
|… | |||
|- | |||
!|5 | |||
|11b | |||
|18 | |||
|25 | |||
|32 | |||
|39 | |||
|46 | |||
|53 | |||
|60 | |||
|67 | |||
|… | |||
| | |||
|- | |||
!|6 | |||
| | |||
|23b | |||
|30 | |||
|37 | |||
|44 | |||
|51 | |||
|58 | |||
|65 | |||
|72 | |||
|… | |||
| | |||
|- | |||
!|7 | |||
| | |||
| | |||
|35b | |||
|42 | |||
|49 | |||
|56 | |||
|63 | |||
|70 | |||
|… | |||
| | |||
| | |||
|- | |||
!|8 | |||
| | |||
| | |||
| | |||
|47b | |||
|54 | |||
|61 | |||
|68 | |||
|… | |||
| | |||
| | |||
| | |||
|- | |||
!|9 | |||
| | |||
| | |||
| | |||
|52b | |||
|59 | |||
|66 | |||
|… | |||
| | |||
| | |||
| | |||
| | |||
|- | |||
!|10 | |||
| | |||
| | |||
| | |||
| | |||
|64b | |||
|71 | |||
|… | |||
| | |||
| | |||
| | |||
| | |||
|} | |||
[ | == See also == | ||
* [[Alternative symbols for ups and downs notation]] | |||
[https://sagittal.org/Periodic%20table%20of%20small%20EDOs%20large.png Sagittal notation's Periodic Table of EDOs]: arranges EDOs by their sharpness | == External links == | ||
* [http://tallkite.com/misc_files/notation%20guide%20for%20edos%205-72.pdf Kite's theory using the nomenclature of sharpness]: (perhaps introducing?) | |||
* [https://github.com/euwbah/musescore-n-tet-plugins n-EDO Retuner plugin for Musescore 3.4+]: uses sharpness to categorize EDOs for retuning | |||
* [https://sagittal.org/Periodic%20table%20of%20small%20EDOs%20large.png Sagittal notation's Periodic Table of EDOs]: arranges EDOs by their sharpness | |||
[[Category:EDO theory pages]] | [[Category:EDO theory pages]] | ||
Revision as of 21:56, 28 December 2021
The sharpness of an edo is the number of steps it maps the apotome (2187/2048) to; in other words, it is the difference between seven of its best approximation of 3/2 and four octaves.
For example, 12edo maps the apotome to one step; it has a sharpness of 1. We could say it is a sharp-1 edo. On the other hand, 17edo maps the apotome to two steps, so it is a sharp-2 edo.
Some edos, such as 16edo, have fifths flat enough that the apotome is mapped to a negative number of steps. Since 16edo has the apotome mapped to −1 step, it is a flat-1 edo.
A sharp-0 edo is also known as a "perfect edo".
Table
Below is a table showing the characteristics of each edo up to 72 in the context of traditional fifth-generator heptatonic ups and downs notation. Each row represents the steps of a chromatic semitone. Each column represents the steps of a diatonic semitone (limma, 256/243), located between E–F and B–C.
| -2 | -1 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| -3 | 6b | ||||||||||
| -2 | 4 | 11 | 18b | ||||||||
| -1 | 2 | 9 | 16 | 23 | 30b | ||||||
| 0 | 7 | 14 | 21 | 28 | 35 | 42b | |||||
| 1 | 5 | 12 | 19 | 26 | 33 | 40 | 47 | 54b | |||
| 2 | 3 | 10 | 17 | 24 | 31 | 38 | 45 | 52 | 59b | ||
| 3 | 1 | 8 | 15 | 22 | 29 | 36 | 43 | 50 | 57 | 64 | 71b |
| 4 | 6 | 13 | 20 | 27 | 34 | 41 | 48 | 55 | 62 | 69 | … |
| 5 | 11b | 18 | 25 | 32 | 39 | 46 | 53 | 60 | 67 | … | |
| 6 | 23b | 30 | 37 | 44 | 51 | 58 | 65 | 72 | … | ||
| 7 | 35b | 42 | 49 | 56 | 63 | 70 | … | ||||
| 8 | 47b | 54 | 61 | 68 | … | ||||||
| 9 | 52b | 59 | 66 | … | |||||||
| 10 | 64b | 71 | … |
See also
External links
- Kite's theory using the nomenclature of sharpness: (perhaps introducing?)
- n-EDO Retuner plugin for Musescore 3.4+: uses sharpness to categorize EDOs for retuning
- Sagittal notation's Periodic Table of EDOs: arranges EDOs by their sharpness