8/7: Difference between revisions

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[[Category:Whole tone]]
[[Category:Whole tone]]
[[Category:Superparticular]]
[[Category:Superparticular]]
[[Category:Subharmonic]]
[[Category:Over-7]]
[[Category:Over-7]]
[[Category:Subharmonic]]

Revision as of 20:16, 16 November 2021

Interval information
Ratio 8/7
Factorization 23 × 7-1
Monzo [3 0 0 -1
Size in cents 231.1741¢
Names septimal whole tone,
supermajor second,
septimal major second
Color name r2, ru 2nd
FJS name [math]\displaystyle{ \text{M2}_{7} }[/math]
Special properties superparticular,
reduced,
reduced subharmonic
Tenney norm (log2 nd) 5.80735
Weil norm (log2 max(n, d)) 6
Wilson norm (sopfr(nd)) 13

[sound info]
Open this interval in xen-calc

In just intonation, 8/7 is the supermajor second or septimal major second of approximately 231.2¢. Although it falls between the familiar major second and minor third of 12edo, it generally sounds more like a wide second than a narrow third. It can be found between the 7th and 8th overtones in the harmonic series and is thus a superparticular ratio. In 7-limit JI and higher, it is treated as a consonance, particularly in the context of a chord such as 4:5:6:7:8, where it appears between the harmonic seventh (7/4) and octave. It differs from the Pythagorean major second of 9/8 by 64/63, a microtone of about 27.3¢. It's close in size to one step of 5edo = 240¢.

Three supermajor seconds is close to a perfect fifth. The difference is 1029/1024 (about 8.4¢), which is tempered out in slendric and 31edo.

See also