List of approaches to musical tuning: Difference between revisions

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*[[Generalized_overtone_tuning|Generalized overtone tuning]]: An approach similar to just intonation, but using an instrument's actual, non-harmonic overtone spectrum (e.g the partials of a metal bar, drum head, or synthesized timbre) to relate frequencies instead of the harmonic series.
*[[Generalized_overtone_tuning|Generalized overtone tuning]]: An approach similar to just intonation, but using an instrument's actual, non-harmonic overtone spectrum (e.g the partials of a metal bar, drum head, or synthesized timbre) to relate frequencies instead of the harmonic series.
*[[Equal_Temperaments|Equal tuning]]: Tunings that use a single interval (and combinations thereof) to form a subtle monoculture of intervals.
*[[Equal_Temperaments|Equal tuning]]: Tunings that use a single interval (and combinations thereof) to form a subtle monoculture of intervals.
*[[Historical_Western_Temperaments|Historical Western Temperaments]]: The (somewhat forgotten) use of [[Pythagorean]] and [[Meantone|meantone tunings]] and [[Circulating_Temperaments|circulating temperaments]] in Western common practice music.
*Musical traditions of historical and modern Western cultures
**[[wikipedia:Musical_system_of_ancient_Greece|Ancient Greek]], [http://orthodoxwiki.org/Byzantine_Chant#The_scale Byzantine]
***[[Arabic, Turkish, Persian]]
**[[Russian]]
**[[Historical Western Temperaments]]: The (somewhat forgotten) use of [[Pythagorean]] and [[Meantone|meantone tunings]] and [[Circulating_Temperaments|circulating temperaments]] in Western common practice music.
*Musical traditions of indigenous, ancient, and/or non-Western cultures
*Musical traditions of indigenous, ancient, and/or non-Western cultures
**[[Arabic,_Turkish,_Persian|Arabic, Turkish, Persian]]
**[[Indian|Indian]] (North, South)
**[[Indian|Indian]] (North, South)
**[[African|African]]
**[[African|African]]
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**[[Pre-Columbian_South_American_Music|Pre-Columbian South American]] (e.g. Maya, Inca, Aztec..)
**[[Pre-Columbian_South_American_Music|Pre-Columbian South American]] (e.g. Maya, Inca, Aztec..)
**[[Indonesian|Indonesian]] (Java, Bali)
**[[Indonesian|Indonesian]] (Java, Bali)
**[[wikipedia:Musical_system_of_ancient_Greece|Ancient Greek]], [http://orthodoxwiki.org/Byzantine_Chant#The_scale Byzantine]
**[[Georgian|Georgian]]
**[[Georgian|Georgian]]
*[[Regular_Temperaments|Regular Temperaments]]: (including Linear Temperaments): a centuries-old practice that has recently undergone a mathematical facelift, in which Just Intonation is selectively and regularly detuned in various ways, to better meet a variety of compositional desires
*[[Regular_Temperaments|Regular Temperaments]]: (including Linear Temperaments): a centuries-old practice that has recently undergone a mathematical facelift, in which Just Intonation is selectively and regularly detuned in various ways, to better meet a variety of compositional desires

Revision as of 22:29, 31 July 2021


Below is a partial list of currently-established theories and approaches related to tuning.

  • Just Intonation: The tuning of pitches so that their fundamental frequencies are related by ratios of whole numbers. An infinite world of numerous models: the harmonic series, integer frequency ratios, tonality diamonds, combination product sets, Fokker blocks etc.
  • Generalized overtone tuning: An approach similar to just intonation, but using an instrument's actual, non-harmonic overtone spectrum (e.g the partials of a metal bar, drum head, or synthesized timbre) to relate frequencies instead of the harmonic series.
  • Equal tuning: Tunings that use a single interval (and combinations thereof) to form a subtle monoculture of intervals.
  • Musical traditions of historical and modern Western cultures
  • Musical traditions of indigenous, ancient, and/or non-Western cultures
  • Regular Temperaments: (including Linear Temperaments): a centuries-old practice that has recently undergone a mathematical facelift, in which Just Intonation is selectively and regularly detuned in various ways, to better meet a variety of compositional desires
  • Moment of Symmetry: Tunings (or better, scales) that use iterations of a generating interval, modulo a period interval, to produce scales of two step-sizes.
  • Empirical: This is a form of hands-on field research as opposed to a form of acoustical or scale engineering, where tunings are specifically derived from listening and playing experiments carried out in the pitch continuum.
  • Tetrachordal Scales: the use of divided fourths as building blocks for composition.
  • Isoharmonic chords/scales
  • Pretty Pictures that represent scales in one way or another
  • Notation (pretty pictures for the purpose of writing music down)
  • Nominal-Accidental Chains A common approach to notation
  • the notion of a Scalesmith who builds scales, with various methods, perhaps for single occasions
    • Mathematically based scales
    • Acoustically-based scales (resonant frequencies of performance space, for example)
    • Scale transformation and stretching
    • Counter-intuitive, random, arbitrary scales