5L 3s: Difference between revisions
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== Key signatures == | |||
Flat keys: | |||
* J@ Celephaïsian, L@ Dylathian = Q@, N@, K@, P@, M@, J@, O@, L@ | |||
* M@ Celephaïsian, O@ Dylathian = Q@, N@, K@, P@, M@, J@, O@ | |||
* P@ Celephaïsian, J@ Dylathian = Q@, N@, K@, P@, M@, J@ | |||
* K@ Celephaïsian, M@ Dylathian = Q@, N@, K@, P@, M@ | |||
* N@ Celephaïsian, P@ Dylathian = Q@, N@, K@, P@ | |||
* Q@ Celephaïsian, K@ Dylathian = Q@, N@, K@ | |||
* L Celephaïsian, N@ Dylathian = Q@, N@ | |||
* O Celephaïsian, Q@ Dylathian = Q@ | |||
All-natural key signature: | |||
* J Celephaïsian, L Dylathian = no sharps or flats | |||
Sharp keys: | |||
* M Celephaïsian, O Dylathian = L& | |||
* P Celephaïsian, J Dylathian = L&, O& | |||
* K Celephaïsian, M Dylathian = L&, O&, J& | |||
* N Celephaïsian, P Dylathian = L&, O&, J&, M& | |||
* Q Celephaïsian, K Dylathian = L&, O&, J&, M&, P& | |||
** Enharmonic with J@ Celeph., L@ Dylath. in [[13edo]] | |||
* L& Celephaïsian, N Dylathian = L&, O&, J&, M&, P&, K& | |||
** Enharmonic with M@ Celeph., O@ Dylath. in 13edo | |||
* O& Celephaïsian, Q Dylathian = L&, O&, J&, M&, P&, K&, N& | |||
** Enharmonic with P@ Celeph., J@ Dylath. in 13edo | |||
* J& Celephaïsian, L& Dylathian = L&, O&, J&, M&, P&, K&, N&, Q& | |||
** Enharmonic with K@ Celeph., M@ Dylath. in 13edo | |||
== Oneirotonic rank-2 temperaments == | == Oneirotonic rank-2 temperaments == | ||
The only notable harmonic entropy minimum is Vulture/[[Hemifamity_temperaments|Buzzard]], in which four generators make a 3/1 (and three generators approximate an octave plus 8/7). The rest of this region does not approximate low-complexity JI harmony well, but can be melodically interesting due to the distorted diatonic scale structure (see also [[oneirotonic]]). | The only notable harmonic entropy minimum is Vulture/[[Hemifamity_temperaments|Buzzard]], in which four generators make a 3/1 (and three generators approximate an octave plus 8/7). The rest of this region does not approximate low-complexity JI harmony well, but can be melodically interesting due to the distorted diatonic scale structure (see also [[oneirotonic]]). |