74edo: Difference between revisions
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[http://micro.soonlabel.com/gene_ward_smith/Others/Meneghin/Claudi-Meneghin-Twinkle-canon-74-edo.mp3 Twinkle canon – 74 edo] by [http://soonlabel.com/xenharmonic/archives/573 Claudi Meneghin] {{dead link}} | [http://micro.soonlabel.com/gene_ward_smith/Others/Meneghin/Claudi-Meneghin-Twinkle-canon-74-edo.mp3 Twinkle canon – 74 edo] by [http://soonlabel.com/xenharmonic/archives/573 Claudi Meneghin] {{dead link}} | ||
[[Category: | [[Category:Equal divisions of the octave]] | ||
[[Category:74edo| ]] <!-- main article --> | [[Category:74edo| ]] <!-- main article --> | ||
[[Category:Meantone]] | [[Category:Meantone]] | ||
[[Category:Listen]] | [[Category:Listen]] | ||
Revision as of 23:13, 4 December 2020
74edo divides the octave into 74 equal parts of size 16.216 cents each. It is most notable as a meantone tuning, tempering out 81/80 in the 5-limit; 81/80 and 126/125 (and hence 225/224) in the 7-limit; 99/98, 176/175 and 441/440 in the 11-limit; and 144/143 and 847/845 in the 13-limit. Discarding 847/845 from that gives 13-limit meantone, aka 13-limit huygens, for which 74edo gives the optimal patent val; and discarding 144/143 gives a 13-limit 62&74 temperament with half-octave period and two parallel tracks of meantone.
74 tunes 11 only 1/30 of a cent sharp, and 13 2.7 cents sharp, making it a distinctly interesting choice for higher-limit meantone.