A-team: Difference between revisions

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The most plentiful consonant triad in A-Team scales is 4:9:21 or 8:18:21 (the voicing of the 21th harmonic is important to make it sound smooth), followed by 13:17:19 and 4:5:9. A-Team[13] in the following tuning has five copies of 4:5:9:13:17:21, five copies of 5:9:13:17:19:21, three copies of 4:5:9:11, two copies of 4:5:9:11:13, two copies of 4:5:9:13:17:19:21, and one copy of 4:9:(15):21:23. The 13-note [[MODMOS]] given by flattening just the seventh and eighth degrees of the LsLssLsLssLss mode of A-Team[13] by the 13-generator interval (~25.5 cents) gives the entire 4:5:9:11:13:17:19:21:23 otonal chord over a single root.
The most plentiful consonant triad in A-Team scales is 4:9:21 or 8:18:21 (the voicing of the 21th harmonic is important to make it sound smooth), followed by 13:17:19 and 4:5:9. A-Team[13] in the following tuning has five copies of 4:5:9:13:17:21, five copies of 5:9:13:17:19:21, three copies of 4:5:9:11, two copies of 4:5:9:11:13, two copies of 4:5:9:13:17:19:21, and one copy of 4:9:(15):21:23. The 13-note [[MODMOS]] given by flattening just the seventh and eighth degrees of the LsLssLsLssLss mode of A-Team[13] by the 13-generator interval (~25.5 cents) gives the entire 4:5:9:11:13:17:19:21:23 otonal chord over a single root.


Extending the chain beyond 13 notes can give good (though irregular) mappings of 3/2 (with -15 generators) and 7/4 (with -17 generators) in the "better" tunings.
Extending the chain beyond 13 notes can give good, though irregular, mappings of 3/2 (with -17 generators) and 7/4 (with -15 generators) in the "better" tunings.
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