15/8: Difference between revisions

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| Color name = y7, yo 7th
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In [[5-limit|5-limit]] [[Just_intonation|Just Intonation]], 15/8 is a major seventh of about 1088.3¢. It is also the 15th overtone (octave-reduced), and appears as a complex consonance in chords such as 8:10:12:15, a just version of a major seventh chord. Since 15 is 3*5, it can be seen as a perfect fifth above a major third or vice versa, and this understanding is compatible with the 1100¢ interval of [[12edo|12edo]].
In [[5-limit]] [[Just Intonation]], '''15/8''' is a '''major seventh''' of about 1088.3¢. It is also the 15th overtone ([[octave-reduced]]), and appears as a complex consonance in chords such as 8:10:12:15, a just version of a major seventh chord. Since 15 is 3*5, it can be seen as a perfect fifth above a major third or vice versa, and this understanding is compatible with the 1100¢ interval of [[12edo]].


Since 15 is a perfect fifth above 10 (15/10 = [[3/2|3/2]]), [[List_of_root-3rd-P5_triads_in_JI|root-3rd-P5 triads]] can be formed with the 10th harmonic as root and 15th harmonic as perfect fifth. The simplest and most familiar example is the classic minor triad 10:12:15 -- a [[6/5|6/5]] with a [[5/4|5/4]] stacked on top of it. Another is the Barbados triad, 10:13:15 -- a [[13/10|13/10]] on bottom and a [[15/13|15/13]] on top. And a particularly uncommon but mentionable example is the [[23-limit|23-limit]] inframinor triad 20:23:30.
Since 15 is a perfect fifth above 10 (15/10 = [[3/2]]), [[List_of_root-3rd-P5_triads_in_JI|root-3rd-P5 triads]] can be formed with the 10th harmonic as root and 15th harmonic as perfect fifth. The simplest and most familiar example is the classic minor triad 10:12:15 -- a [[6/5]] with a [[5/4]] stacked on top of it. Another is the Barbados triad, 10:13:15 -- a [[13/10]] on bottom and a [[15/13]] on top. And a particularly uncommon but mentionable example is the [[23-limit]] inframinor triad 20:23:30.


See: [[Gallery_of_Just_Intervals|Gallery of Just Intervals]]     [[Category:5-limit]]
:''See also [[Gallery of Just Intervals]]''
[[Category:interval]]
 
[[Category:just_interval]]
[[Category:5-limit]]
[[Category:ratio]]
[[Category:Interval]]
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[[Category:Seventh]]

Revision as of 18:21, 23 October 2018

Interval information
Ratio 15/8
Factorization 2-3 × 3 × 5
Monzo [-3 1 1
Size in cents 1088.269¢
Name major seventh
Color name y7, yo 7th
FJS name [math]\displaystyle{ \text{M7}^{5} }[/math]
Special properties reduced,
reduced harmonic
Tenney norm (log2 nd) 6.90689
Weil norm (log2 max(n, d)) 7.81378
Wilson norm (sopfr(nd)) 14

[sound info]
Open this interval in xen-calc

In 5-limit Just Intonation, 15/8 is a major seventh of about 1088.3¢. It is also the 15th overtone (octave-reduced), and appears as a complex consonance in chords such as 8:10:12:15, a just version of a major seventh chord. Since 15 is 3*5, it can be seen as a perfect fifth above a major third or vice versa, and this understanding is compatible with the 1100¢ interval of 12edo.

Since 15 is a perfect fifth above 10 (15/10 = 3/2), root-3rd-P5 triads can be formed with the 10th harmonic as root and 15th harmonic as perfect fifth. The simplest and most familiar example is the classic minor triad 10:12:15 -- a 6/5 with a 5/4 stacked on top of it. Another is the Barbados triad, 10:13:15 -- a 13/10 on bottom and a 15/13 on top. And a particularly uncommon but mentionable example is the 23-limit inframinor triad 20:23:30.

See also Gallery of Just Intervals