8:10:13: Difference between revisions

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{{Infobox Chord|ColorName=yo tho6 no5, y,3o6no5, y(3oq5)}}8:10:13 is an [[otonal]] chord. It sort of sounds like an augmented fifth chord, though [[13/8]] is not usually considered an augmented fifth on its own, as it is often deemed a hyperminor sixth or a neutral sixth.
{{Infobox Chord|ColorName=yo tho6 no5, y,3o6no5, y(3oq5)}}8:10:13 is an [[otonal]] chord. It sort of sounds like an augmented fifth chord, though [[13/8]] is not usually considered an augmented fifth on its own, as it is often deemed a hyperminor sixth or a neutral sixth.
It is one of the easiest to use in the [[13-limit]], due to the triadic-like structure, the wide spacing of the intervals, and the [[5/4]] anchor, compared to other 13-limit chords that are more cluttered or xenharmonic like 8:12:13, or 8:11:13.


== Audio of close voicings ==
== Audio of close voicings ==
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* [[4:5:7:13]] (adds [[7/4]])  
* [[4:5:7:13]] (adds [[7/4]])  
* [[4:5:6:13]] (adds 3/2)
* [[4:5:6:13]] (adds 3/2)
* [[4:5:6:7:13]] (adds [[3/2]], [[7/4]])
* [[4:5:6:7:13]] (adds [[3/2]], 7/4)
Similar chords:
 
* [[8:11:13]] (substitutes 5/4 for [[11/8]])
* 8:12:13 (substitutes [[5/4]] for 3/2)
 
Lower limit soundalikes:


Lower limit soundalikes: [[20:25:32:40]] (5-limit)
* [[20:25:32:40]] (5-limit)
* [[7:9:11]] (11-limit)