User:Unque/22-TET Plagal Theory: Difference between revisions

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'''Note: this page reflects a ~~depreciated~~ project. The page itself has been preserved for the purposes of documentation, but the fictional context of it is no longer being worked on, and as such the musical context is unfinished, and never will be.'''

'''Note: this page reflects a deprecated project. The page itself has been preserved for the purposes of documentation, but the fictional context of it is no longer being worked on, and as such the musical context is unfinished, and never will be.'''

"Plagal Theory" (Eleutheric: ''Χωρη Πλαγικη'', ''Xoree Plagikee'' /ʃori plaʝici/) is a fictitious alternative music theory popularized across Europe in an alternate history. As such, the concepts discussed here, and the history thereof, should be understood to be fictitious, and therefore not necessarily applicable to the real world; specifically, the scales and their modes are named in accordance with the in-universe traditions, and are not legitimate proposals for conventions to use in real-world xenharmonic theory.

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 {{worldbuilding}}
-'''Note: this page reflects a depreciated project.  The page itself has been preserved for the purposes of documentation, but the fictional context of it is no longer being worked on, and as such the musical context is unfinished, and never will be.'''
+'''Note: this page reflects a deprecated project.  The page itself has been preserved for the purposes of documentation, but the fictional context of it is no longer being worked on, and as such the musical context is unfinished, and never will be.'''
 "Plagal Theory" (Eleutheric: ''Χωρη Πλαγικη'', ''Xoree Plagikee'' /ʃori plaʝici/) is a fictitious alternative music theory popularized across Europe in an alternate history. As such, the concepts discussed here, and the history thereof, should be understood to be fictitious, and therefore not necessarily applicable to the real world; specifically, the scales and their modes are named in accordance with the in-universe traditions, and are not legitimate proposals for conventions to use in real-world xenharmonic theory.