8/7: Difference between revisions
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{{Infobox Interval | {{Infobox Interval | ||
| Name = septimal whole tone, supermajor second, septimal major second | | Name = septimal whole tone, supermajor second, septimal major second, septimal supermajor second | ||
| Color name = r2, ru 2nd | | Color name = r2, ru 2nd | ||
| Sound = jid_8_7_pluck_adu_dr220.mp3 | | Sound = jid_8_7_pluck_adu_dr220.mp3 | ||
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{{Wikipedia|Septimal whole tone}} | {{Wikipedia|Septimal whole tone}} | ||
In [[just intonation]], 8/7 is the '''supermajor second''' or '''septimal | In [[just intonation]], 8/7 is the '''supermajor second''', '''septimal major second''', or '''septimal supermajor second''', of approximately 231.2{{cent}}. Although it falls between the familiar major second and minor third of [[12edo]], it generally sounds more like a wide second than a narrow third. It can be found between the 7th and 8th [[harmonic]]s and is thus a [[superparticular]] ratio. In [[7-limit]] JI and higher, it is treated as a consonance, particularly in the context of a chord such as 4:5:6:7:8, where it appears between the harmonic seventh ([[7/4]]) and octave. It differs from the Pythagorean major second of [[9/8]] by [[64/63]], a microtone of about 27.3{{cent}}. It is close in size to 5edo's 240{{c}} step. | ||
A stack of three supermajor seconds is close to a perfect fifth ([[3/2]]). The difference is [[1029/1024]] (about 8.4{{ | A stack of three supermajor seconds is close to a perfect fifth ([[3/2]]). The difference is [[1029/1024]] (about 8.4{{c}}), which is tempered out in [[slendric]] systems like [[31edo]]. | ||
== See also == | == See also == | ||