Quarter-comma meantone: Difference between revisions

No edit summary
ArrowHead294 (talk | contribs)
mNo edit summary
Line 6: Line 6:
}}
}}
{{Wikipedia}}
{{Wikipedia}}
'''Quarter-comma meantone''' is the tuning of [[meantone]] temperament which makes the perfect fifth ([[3/2]]) the fourth root of 5, or in other words 696.578 [[cent]]s. This means the fifth is flattened by 1/4 of the syntonic comma ([[81/80]] ratio) of 21.506 cents, which is to say by 5.377 cents, hence the name quarter-comma or 1/4-comma meantone.  
'''Quarter-comma meantone''' is the tuning of [[meantone]] temperament which makes the perfect fifth ([[3/2]]) the fourth root of 5, or in other words 696.578 [[cent]]s. This means the fifth is flattened by {{frac|1|4}} of the syntonic comma ([[81/80]] ratio) of 21.506{{cent}}, which is to say by 5.377{{cent}}, hence the name.  


Quarter-comma meantone is the tuning where the major third ([[5/4]]) is tuned pure, and the minor third ([[6/5]]) and the fifth are equally flat by 1/4 syntonic comma. It is also the tuning where the whole tone is the exact [[geometric mean]] between the greater tone of [[9/8]] and the lesser tone of [[10/9]], and hence it can be argued it is the only tuning which is strictly "mean tone". It is the minimax tuning for 5-limit meantone, meaning the maximum error on the [[5-odd-limit]] [[tonality diamond]] is minimized. It is also the minimax tuning for septimal meantone in the [[7-odd-limit|7-]] and [[9-odd-limit]], and for meanpop (the version of 11-limit meantone which tunes 11/8 to the doubly diminished fifth, C–Gbb) in the [[11-odd-limit]]. Moreover, historically it was the predominant tuning of Western common-practice music in the latter part of the Renaissance and the early modern (17th century) era.
Quarter-comma meantone is the tuning where the major third ([[5/4]]) is tuned pure, and the minor third ([[6/5]]) and the fifth are equally flat by {{frac|1|4}} syntonic comma. It is also the tuning where the whole tone is the exact [[geometric mean]] between the greater tone of [[9/8]] and the lesser tone of [[10/9]], and many argue that it is the only tuning which is strictly "mean tone". It is the minimax tuning for 5-limit meantone, meaning the maximum error on the [[5-odd-limit]] [[tonality diamond]] is minimized. It is also the minimax tuning for septimal meantone in the [[7-odd-limit|7-]] and [[9-odd-limit]], and for meanpop (the version of 11-limit meantone which tunes 11/8 to the doubly diminished fifth, C–G𝄫) in the [[11-odd-limit]]. Moreover, historically it was the predominant tuning of Western common-practice music in the latter part of the Renaissance and the early modern (17th century) era.


Because of all of these features, it has a certain claim to be considered the canonical meantone tuning and often "meantone" is taken to mean quarter-comma specifically. The traditional interval names, listed below, may be considered to have their older traditional tuning in the quarter-comma meantone tunings listed below. However, other tunings (besides [[12edo]] which is ubiquitous but not an especially good tuning for meantone) may be preferred. Note, for instance, that the doubly augmented second and the doubly diminished fourth are both neutral thirds, about six cents apart. If we want a tuning which will equate the two, we need to use [[31edo]] instead.
Because of all of these features, it has a certain claim to be considered the canonical meantone tuning and often "meantone" is taken to mean quarter-comma specifically. The traditional interval names, listed below, may be considered to have their older traditional tuning in the quarter-comma meantone tunings listed below. However, other tunings (besides [[12edo]] which is ubiquitous but not an especially good tuning for meantone) may be preferred. Note, for instance, that the doubly augmented second and the doubly diminished fourth are both neutral thirds, about 6{{c}} apart. In [[31edo]], these two intervals are enharmonically equivalent.


== Tuning profile ==
== Tuning profile ==
Line 31: Line 31:


== Intervals of quarter-comma meantone ==
== Intervals of quarter-comma meantone ==
Below is a table listing 36 of the notes of quarter-comma meantone, giving the size in cents, the number of fifths up or down on the [[chain of fifths]], the [[Wikipedia:Letter notation|letter notation]] for the interval relative to C as the tonic, the traditional name for the interval, a shorthand form of the name, and the size of the interval in [[fractional monzo]] notation.
Below is a table listing 36 of the notes of quarter-comma meantone, giving the size in cents, the number of fifths up or down on the [[chain of fifths]], the {{w|letter notation}} for the interval relative to C as the tonic, the traditional name for the interval, a shorthand form of the name, and the size of the interval in [[fractional monzo]] notation.


{| class="wikitable right-1 center-2 center-5"
{| class="wikitable right-1 center-2 center-5"
! Size <br> in [[cent]]s
|-
! Fifths <br> dist.
! Size<br />in [[cent]]s
! Note <br> C-based
! Fifths<br />dist.
! Traditional <br> interval name
! Note<br />C-based
! Int. <br> (short)
! Traditional<br />interval name
! [[Fractional monzo|Fract. <br> monzo]]
! Int.<br />(short)
! [[Fractional monzo|Fract.<br />monzo]]
|-
|-
| 0.00000
| 0.00000
Line 49: Line 50:
|-
|-
| 41.0590
| 41.0590
| &minus;12
| −12
| Dbb
| Dbb
| Diminished second, diesis
| Diminished second, diesis
Line 77: Line 78:
|-
|-
| 158.167
| 158.167
| &minus;17
| −17
| Ebbb
| Ebbb
| Doubly diminished third
| Doubly diminished third
Line 91: Line 92:
|-
|-
| 234.216
| 234.216
| &minus;10
| −10
| Ebb
| Ebb
| Diminished third
| Diminished third
Line 105: Line 106:
|-
|-
| 310.265
| 310.265
| &minus;3
| −3
| Eb
| Eb
| Minor third
| Minor third
Line 119: Line 120:
|-
|-
| 351.324
| 351.324
| &minus;15
| −15
| Fbb
| Fbb
| Doubly diminished fourth
| Doubly diminished fourth
Line 133: Line 134:
|-
|-
| 427.373
| 427.373
| &minus;8
| −8
| Fb
| Fb
| Diminished fourth
| Diminished fourth
Line 147: Line 148:
|-
|-
| 503.422
| 503.422
| &minus;1
| −1
| F
| F
| Perfect fourth
| Perfect fourth
Line 154: Line 155:
|-
|-
| 544.480
| 544.480
| &minus;13
| −13
| Gbb
| Gbb
| Doubly diminished fifth
| Doubly diminished fifth
Line 168: Line 169:
|-
|-
| 620.529
| 620.529
| &minus;6
| −6
| Gb
| Gb
| Diminished fifth
| Diminished fifth
Line 189: Line 190:
|-
|-
| 737.637
| 737.637
| &minus;11
| −11
| Abb
| Abb
| Diminished sixth
| Diminished sixth
Line 203: Line 204:
|-
|-
| 813.686
| 813.686
| &minus;4
| −4
| Ab
| Ab
| Minor sixth
| Minor sixth
Line 217: Line 218:
|-
|-
| 854.745
| 854.745
| &minus;16
| −16
| Bbbb
| Bbbb
| Doubly diminished seventh
| Doubly diminished seventh
Line 245: Line 246:
|-
|-
| 1006.84
| 1006.84
| &minus;2
| −2
| Bb
| Bb
| Minor seventh
| Minor seventh
Line 259: Line 260:
|-
|-
| 1047.90
| 1047.90
| &minus;14
| −14
| C'bb
| C'bb
| Doubly diminished octave
| Doubly diminished octave
Line 273: Line 274:
|-
|-
| 1123.95
| 1123.95
| &minus;7
| −7
| C'b
| C'b
| Diminished octave
| Diminished octave