Major minthmic chords: Difference between revisions
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* 1-9/8-11/9-4/3-3/2-13/8-11/6 with steps of 9/8-13/12-12/11-9/8-13/12-9/8-12/11 (→[[minthmic7b]]). | * 1-9/8-11/9-4/3-3/2-13/8-11/6 with steps of 9/8-13/12-12/11-9/8-13/12-9/8-12/11 (→[[minthmic7b]]). | ||
Mintha was a nymph turned into a mint plant by a goddess whom she got in the way of | Mintha was a nymph turned into a mint plant by a goddess whom she got in the way of | ||
<ref>''[https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.04.0104%3Aalphabetic+letter%3DM%3Aentry+group%3D26%3Aentry%3Dmintha-bio-1 Dictionary of Greek and Roman Biography and Mythology]'' - William Smith (1849)</ref> | |||
<ref>''[https://web.archive.org/web/20221230130135/http://mythandreligion.upatras.gr/english/__trashed/ Dictionary of Classical Mythology]'' - M.R. Wright (2012)</ref> | |||
<ref>''[https://www.greekboston.com/culture/mythology/minthe All About Minthe – Myth of Greek Mythology]'' - Greek Boston (2024)</ref> | |||
, and major minthmic tempering has the slightly sharp, minty-fresh fifths some people appreciate ([[Margo Schulter]] has expressed great fondness for this comma, for example). Equal temperaments with major minthmic chords include {{Optimal ET sequence| 22, 29, 46, 53, 80, 87, 111, 121, 140, 198 and 205 }}. | |||
== Notes == | |||
[[Category:13-odd-limit]] | [[Category:13-odd-limit]] | ||