7/6: Difference between revisions
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== See also == | == See also == | ||
* [[12/7]] – its [[octave complement]] | * [[12/7]] – its [[octave complement]] | ||
* [[9/7]] – its [[fifth complement]] | * [[9/7]] – its [[fifth complement]] | ||
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[[Category:Minor third]] | [[Category:Minor third]] | ||
[[Category:Subminor third]] | [[Category:Subminor third]] | ||
[[Category:Over-3]] | [[Category:Over-3 intervals]] | ||
{{Todo| expand }} | |||
Revision as of 08:36, 30 September 2024
| Interval information |
septimal minor third
reduced
[sound info]
In 7-limit just intonation, 7/6 is the subminor third or septimal minor third. At about 267 cents, it is smaller than both the 5-limit minor third (6/5, ~316 cents) and the familiar 12edo minor third (300 cents). In contrast to 5/4 and 6/5, 7/6 is noticeably more consonant than it's counterpart 9/7, and a 6:7:9 minor triad can sound very stable compared to 14:18:21 .
See also
- 12/7 – its octave complement
- 9/7 – its fifth complement
- 8/7 – its fourth complement
- 7/3 – the interval plus one octave sounds even more consonant
- Gallery of just intervals
